Releases of the Year 2024
- mischmashpod
- Dec 29, 2024
- 82 min read
It's the end of the year again, so here's our two pence worth!!! This list is in no particular order and features 60 releases (EPs and albums). While we always encourage everyone to be open minded, the releases have been arranged into genre-defined sections to save you time. We 100% stand behind every one of these recommendations!!!
Punk/Post-Punk
Mueran Humanos ‐ “Reemplazante”
Are you ready to plunge headfirst into the mysterious abyss of sound? Well, buckle up because Mueran Humanos, the electrifying Argentinian electronic/industrial duo, has just dropped their latest masterpiece: “Reemplazante”.
"Reemplazante” hit the airwaves in March 2024, and let me tell you—it’s like a sonic séance that beckons you to the edge of existence. These five tracks are more than mere songs; they’re gateways to alternate dimensions, where the veil between reality and dreams shimmers like a mirage.
Picture this: darkwave. Imagine a moonlit alley, fog swirling around your ankles, and a distant echo of haunting melodies. That’s the territory Mueran Humanos stakes out. Their music is like a cryptic riddle whispered by ancient spirits—part eerie, part enchanting.
The wizards at Album of the Year have dissected “Reemplazante” and found its beating heart. Themes of “replacement and substitution” weave through the tracks, like threads connecting lost memories. It’s an emotional scavenger hunt, and you’re invited to join the quest.Guess what? This is only Mueran Humanos’ fourth album! But hey, good things come to those who wait, right? The anticipation has been building, and now we get to unwrap this sonic gift. It’s like finding a secret passage in your favorite book—the one you’ve been eyeing for ages.Hold onto your headphones, folks! The single “Reemplazante” is the star of the show. It’s like a cosmic transmission from another dimension, complete with a mind-bending music video. Imagine David Lynch directing a dance party in a haunted mansion—that’s the vibe.In these chaotic times, we need musical lifelines. And guess what? “Reemplazante” is here to rescue us. It’s like a dark chocolate truffle for your ears—a treat that balances bitterness and sweetness. Let the shadows wrap around you; they’re surprisingly cozy.
The album kicks off with '‘Desastre Personal‘’, vocalist Carmen Burguess unleashes her inner banshee, howling about the calamity of selfhood. It’s like watching a storm gather on the horizon—you can’t look away. Tomás Nochteff’s brooding basslines provide the backbone, while reverb-soaked vocals swirl like smoke rings.And the title track, “Reemplazante''? It’s a delicate dance between innocence and sadness. Imagine floating above your own life, observing joy from a distance. It’s bittersweet, like catching fireflies in a graveyard.So, my fellow cosmic wanderers, grab your headphones, dim the lights, and let Mueran Humanos guide you through the labyrinth of existence. “Reemplazante” is an invitation to explore your own personal disaster, set to a soundtrack that’s both fearless and beautifully enmeshed.As New York poet Frank O’Hara once said, “Now I am quietly waiting for the catastrophe of my personality to seem beautiful again.” Maybe, just maybe, this album will make our catastrophes shimmer with strange allure. Check it out now!!!
Sprints - “Letter To Self”
After two EPs and building a reputation for searing and stellar live shows we now have the much anticipated debut album from Dublin Garage-Punk band Sprints!!!
But the band aren’t merely aping The Stooges or the “Nuggets” compilation bands. There are influences from post-punk (Sioux and the Banshees, Bauhaus) and Alt. Rock (early Pixies, PJ Harvey?). So that adds up to a rock solid rhythm section, dynamic song structures, multi layered guitars all centered around singer Karla Chubb’s emotive vocals and hooky chorus’.
Karla is the album’s emotional core, recounting personal struggles and existential woes delivered with both a soft touch and screw you vitriol!!!
All-in-all this is an album full of punch visceral Garage-Punk songs that could be an early Album of the Year contender!!!
Hot Garbage - “Precious Dream”
Hailing from Toronto, Canada, excellently monikered Hot Garbage burst out of the traps with volcanic, psychedelic maelstrom of guitars and with the drums and bears providing a post-punk Groove that recalls the minimalist Punk-Funk of Pylon. Is pretty much the formula throughout the whole of the album, the exception of a couple of slower, doomier tracks. It's a potent and rich mixture band does well to mine across the albums 35 minute runtime. Overall, the album is Hot than Garbage!!!
Xmal Deutschland - “Early Singles”
Before hearing this excellent compilation album I had heard of Xmal Deutschland and seen their name a few times but didn't know much about them. Turns out I shouldn't have been sleeping on this all female German Punk/Post-Punk band!!!
The album opens with the “heavy synthesizer line, rabid electric guitar… and gothic sensibilities of ‘Schwarze Welt’”. The synth on this track is particularly jaw dropping in its intensity especially as it will be a cheap or DIY mono synth. It sets both the dark but danceable tone for the reminder of the album.
Lyrical the band are defiant and often delivered in catchy chants!!! Singer and lyricist Anja Huwe takes advantage of the complexity of German to use metaphors and old fashioned words to create something Poetic. This isn't your average Punk band!!!
Xmal Deutschland fitted in well with the “Neue Deutsche Welle” in German alongside the likes of Dance Punk legends DAF and Industrial pioneers Einstürzende Neubauten. If you are a fan of those bands or Goth bands like Siouxsie and the Banshees!!! Check it out now!!!
Bench Press - “Personal Best”
Exploring "Personal Best" by Bench Press: A Deep Dive into the Band's Evolution and Latest Album
Bench Press, the vibrant post-punk band from Melbourne, has returned with their third album, "Personal Best," a testament to their growth and resilience. This album is not just a collection of songs but a narrative of transformation and introspection, making it a compelling listen for both old fans and newcomers alike.
The Story of Bench Press
Bench Press emerged from Melbourne's underground scene in 2016, quickly gaining attention with their angular, new-wave garage punk sound. The band originally formed from the remnants of two other bands, with members Jack Stavrakis, Jordan Hicks, and others coming together to create a unique sound that resonated with audiences. Over the years, they released two albums, with their sophomore effort, "Not the Past, Can’t Be The Future," showcasing a motivational and thoughtful power-punk style.
Band Members and Their Contributions
Jack Stavrakis, the lead vocalist, brings raw energy and introspective lyrics, drawing from his personal experiences and career in mental health social work. The addition of Anna Lienhop and Paolo Junior has brought a fresh dynamic to the band, with Anna's guitar work adding layers to their sound and Paolo's drumming enhancing the rhythmic complexity. Together, they create a cohesive unit that thrives on live performances, known for their intense and engaging shows.
One of the standout features of Bench Press's music is their bass lines, which are integral to their signature sound. The bass provides a driving force that underpins each track, creating grooves that perfectly complement the intricate guitar work and dynamic drumming. This synergy between the instruments forms the backbone of their music, offering a rhythmic foundation that is both compelling and danceable.
The Hiatus and Lineup Change
After their second album, Bench Press took a hiatus, during which they regrouped and welcomed new members. This period of reflection and change allowed them to refine their sound, resulting in a catchier, more textured musical approach in "Personal Best".
Musical and Lyrical Depth of "Personal Best"
"Personal Best" stands out for its blend of post-punk and garage rock, characterized by catchy rhythms and textured layers. The album explores themes of self-reflection and mental health, with Stavrakis critiquing the chaotic world around him. Tracks like "Filter" and "Computer Hands" showcase their signature sound, while the title track offers a reflective narrative that resonates deeply with listeners.
The interplay between the bass, guitar, and drums creates a groove that is both infectious and intricate. The basslines provide a solid foundation that allows the guitar and drums to explore complex rhythms and textures, resulting in a sound that is both cohesive and dynamic. This musical interplay is a key part of what makes "Personal Best" such a standout album.
Why "Personal Best" is Worth Your Time
This album is a journey through personal growth and societal critique, wrapped in a captivating musical package. Bench Press has managed to evolve their sound while staying true to their roots, offering both depth and enjoyment in every track. Whether you're a long-time fan or new to their music, "Personal Best" is an album that deserves your attention for its thoughtful lyrics, innovative sound, and the band's undeniable chemistry. The grooves created by the bass, guitar, and drums make it a must-listen for anyone who appreciates well-crafted, engaging music.
Eleven Pond - "Bas Relief”
Exploring the Cult Classic Album 'Bas Relief' by Eleven Pond
In the shadowy corridors of 1980s post-punk and synthpop, Eleven Pond's "Bas Relief" stands as a beacon of the genre's haunting allure. Originally released in 1986, this album has captivated listeners with its enigmatic soundscapes and introspective lyrics. As we delve into the depths of "Bas Relief," let's uncover the stories and influences that make this album a timeless masterpiece, now revitalized by its 2024 remaster.
Background of Eleven Pond
Eleven Pond emerged from the vibrant art scene of Rochester, NY, in the mid-1980s. The band was formed by James Tabbi (vocals, acoustic guitar), Jeff Gallea (drum machine, synthesizer, vocals), Jack Schaeffer (guitar), and Dan Brumley (synthesizer, samples, vocoder, melodica)[5]. These four art school students shared a passion for music that pushed boundaries. Influenced by the ethereal sounds of 4AD and the raw energy of Factory Records, they crafted a unique sonic identity that blended post-punk's brooding intensity with synthpop's melodic sensibilities.
The band members were deeply immersed in the DIY ethos of the era, often creating their own artwork and visuals to accompany their music. This artistic approach extended to their live performances, which were known for their atmospheric lighting and immersive soundscapes. Eleven Pond was not just a band; it was a multimedia experience that captivated audiences and left an indelible mark on those who witnessed it.
The Original Release
"Bas Relief" was released in 1986 as a limited edition vinyl, with only 500 copies pressed. This scarcity quickly turned the album into a coveted gem among collectors and enthusiasts of underground music. The album's cover art, featuring abstract geometric shapes and muted colors, mirrored the introspective nature of its music.
From the opening notes of "Tear and Cinnamon," listeners are transported to a world where melancholic melodies intertwine with pulsating rhythms. The album's production is both raw and polished, capturing the essence of a band experimenting at the height of their creative powers. Each track is meticulously crafted, with layers of synthesizers weaving intricate patterns around driving bass lines and haunting vocals.
Key Tracks
Among the standout tracks on "Bas Relief," "Watching Trees" is perhaps the most iconic. Its infectious bassline and ethereal synths create an atmosphere that is both danceable and introspective. The song's lyrics explore themes of isolation and longing, resonating deeply with listeners who find solace in its haunting beauty.
Another highlight is "Portugal," a track that showcases Eleven Pond's ability to blend darkwave aesthetics with pop sensibilities. The song's driving rhythm and shimmering synths evoke images of distant landscapes bathed in twilight hues. It's a journey through sound that invites listeners to lose themselves in its hypnotic embrace.
The 2024 Remaster
Fast forward to 2024, when Dark Entries Records undertook the task of remastering "Bas Relief" from its original analogue tapes. This remastering process was overseen by George Horn at Fantasy Studios, who meticulously corrected pitch issues present in earlier versions. The result is a sonic clarity that breathes new life into each track, allowing listeners to experience the album as it was meant to be heard.
The reissue also pays homage to the original release with its packaging: a screen-printed jacket, lyric sheet, postcards, and bookmark—all designed to evoke the aesthetic sensibilities of the 1980s art scene. This attention to detail ensures that both longtime fans and newcomers can appreciate "Bas Relief" as a complete artistic work.
Cultural Impact and Legacy
Despite disbanding shortly after their debut release in 1987, Eleven Pond's influence has endured through the decades. Rediscovered by DJs and music enthusiasts in the late 2000s, their sound found new audiences eager for its dark allure. This resurgence led to live performances where original members reunited to bring their music back to life on stage.
The reissue of "Bas Relief" has cemented its status as an essential piece of music history—a testament to its enduring appeal across generations. It serves as a reminder that great art transcends time, continuing to inspire those who encounter it anew.
Conclusion
Listening to "Bas Relief" is like stepping into an echo chamber of emotion—a place where past meets present in perfect harmony. Whether you're revisiting this classic or discovering it for the first time through its remastered edition, Eleven Pond's masterpiece promises an evocative journey into the heart of dark pop.
So dim the lights, press play on "Bas Relief," and let yourself be enveloped by its haunting melodies and introspective lyrics. It's an experience that will leave you yearning for more—a timeless exploration of sound that continues to captivate listeners with every note.
Dark Chisme - “Dark Chisme”
Imagine stepping into a vibrant nightclub where the shadows dance to the rhythm of Latin beats, and the air is thick with the allure of mystery. This is the world Dark Chisme invites you into with their self-titled debut album—a mesmerizing blend of dark wave and Latin influences that captivates the senses and defies musical boundaries.
Background
Dark Chisme, formed by Christine Gutiérrez and Erik “E” Schneider, emerged from Seattle's eclectic music scene. Their backgrounds in Chicago and Seattle have shaped their sound, drawing from the rich tapestry of dark wave, industrial, synth-pop, and Latin music. Before releasing their debut album in July 2024, they teased audiences with singles like "Yo Puedo Vivir Sin Ti," which hinted at their innovative approach to genre fusion.
Album Overview
The album is a sonic exploration that intertwines haunting melodies with pulsating rhythms. It’s a journey through emotions—love, heartbreak, empowerment—each track offering a new perspective wrapped in an intoxicating soundscape. The duo’s ability to weave electronic beats with Latin rhythms creates an atmosphere that is both familiar and refreshingly cutting-edge.
Track-by-Track Analysis
- "Yo Puedo Vivir Sin Ti": This track opens with ethereal synths that gradually build into a crescendo of powerful beats. The lyrics speak to themes of independence and resilience, as Gutiérrez’s haunting vocals echo the sentiment of moving forward despite heartache.
- "Complicate": A high-energy track that captures the complexity of modern relationships. The driving bass lines and intricate percussion create a sense of urgency, while the lyrics delve into the tangled web of emotions that accompany love and desire.
- "Lucretia, My Reflection": Closing their guest DJ mix on KEXP, this track pays homage to their dark wave roots with its brooding atmosphere and moody instrumentation. The lyrics explore themes of identity and transformation, inviting listeners to reflect on their own journeys.
Reception and Impact
Since its release, Dark Chisme's debut has quickly climbed KEXP's charts, earning accolades for its addictive sound and innovative genre-blending. Critics have praised the album for its ability to resonate with fans across different musical landscapes, highlighting its role in bridging electronic and Latin music communities.
Live Performances
Dark Chisme’s live shows are an electrifying experience that bring their music to life. Known for their dynamic stage presence, they have captivated audiences at events like Psyched! Fest with performances that blend music with visual artistry. Each show is a celebration of sound and movement, leaving audiences eager for more.
Conclusion
Dark Chisme's debut album is more than just a collection of songs; it's a bold statement that challenges musical conventions and invites listeners into a world where dark wave meets Latin flair. With its rich tapestry of sounds and evocative themes, this album offers something truly special—a fusion that not only piques curiosity but also delivers on its promise of innovation and excitement.
In a music landscape brimming with choices, Dark Chisme stands out as a beacon of creativity and originality. Their debut album invites you to step into a world where shadows dance to vibrant rhythms—a world you won't want to leave.
Funk
Yin Yin - “Mount Matsu”
Dutch Funk band Yin Yin have finally fulfilled their potential. After showing a lot of promise on their first two albums, their latest effort is their best to date. The grooves are stronger and the Asian-inspired melodies are much more memorable. The production on this album is of a higher quality than previous as well, mixing in modern techniques in with the 70s sound that they have become known for. I could definitely see the potential for these to be used in a broader range of DJ sets because of this. There are some tranquil moments on the album which help keep things fresh. All in all Yin Yin have set themselves up for a great year and can kick on from here for the rest of their career!!!
Orgone - “Chimera”
Orgone are legends of the LA funk scene and have been gaining a greater and greater reputation for the last 20 plus years. They have also been becoming more and more Psychedelic after early flirtations with the acid side of Rock. On “Chimera” they go all in for the first time!!! However, this isn't an out and out fuzzfest. No, like a lot of recent psychedelic Rock the band are taking a subtler approach, a quietly hypnotic and entrancing sound.
Is this heady brew made up of I hear you ask? It brings together the voodoo of New Orleans Funk, Afro Funk and Afrobeat grooves, Dub delay and mixing techniques, splashes of effects laden lead guitar and a soulfulness that is unmistakably the bands own!!!
It might take a couple of listens but you will be slowly but surely charmed by this organic Psychedelic Funk!!! Check it out now!!!
Ghost Funk Orchestra - “A Trip to the Moon”
“A Trip To The Moon” is a concept album… Wait, don't all Runaway!!! A concept about a young woman left alone on Earth by her cosmonaut partner wondering if he'll ever return or not.
Like many concept albums before it the music is heavy, complex and multi-layered. It takes influences from “soundtracks, exotica, psychedelic Surf Rock, Garage Rock, Latin Jazz” and the band’s trademark classic Soul and Funk music. I also hear hints of Dub delay and a Hip-Hop aesthetic reminiscent of former Ninja Tune stalwarts The Herbaliser.
However, this is music that never sounds unwieldy or overwrought instead it hits you instantly and drags you in. Whether it's the deep grooves, the Big Band style horns, the arresting soulful vocals or the fuzzy lead guitar you'll find something that will grab your attention. Repeat listens will continue to show you more peeling back the layers of the musical onion. This truly is the best of both worlds.
If you enjoy ambitious but accessible albums then you'll love “A Trip To The Moon”!!!. Check it out now!!!
Ghost-Note - “Mustard n’ Onions”
Ghost-Note started as a side project of the Jazz band Snarky Puppy. The core members of Ghost-Note are Robert "Sput" Searight (drums) and Nate Werth (percussion), who were both members of Snarky Puppy. Ghost-Note was formed by Searight and Werth as a way to showcase their combined talents in a more percussion-focused, funky ensemble. The band features contributions from other musicians as well, such as trombonist Danny Wytanis and saxophonist/flutist Jonathan Mones. While Ghost-Note began as an offshoot of Snarky Puppy, the band has since established itself as an exciting and inventive group in its own right. They are known for their "funky world" sound that blends jazz, funk, and world music influences. Ghost-Note has also developed a reputation for their energetic live performances.
With their signature "funky world" sound that blends jazz, funk, and world music influences, Ghost-Note has established themselves as a dynamic and inventive group in the music scene. The band's energy and virtuosity have captivated audiences worldwide, making them a standout act in the industry.
The new album "Mustard n' Onions" is showcases Ghost-Note's evolution and creativity, further solidifying their position as a leading force in the music landscape. Music lovers can look forward to a fusion of Funk, Afrobeat, Jazz, and percussion-driven elements that define Ghost-Note's unique style.
Ghost-Note's lineup boasts incredible saxophonists and flutists like Jonathan Mones, Sylvester Onyejiaka, and Mike Jelani Brooks, who infuse their recordings and live shows with arresting horn parts and soulful solos. The band's vibrant fusion of saxophones, flutes, and other horns, merged seamlessly with their percussion-driven funk and jazz style,will transport you to a musical paradise!!! Check it out now!!!
Aura Safari and Jimi Tenor - “Sensory Blending”
Great music often comes from chance encounters & impromptu sessions. That's how "Sensory Blending" by Aura Safari & Jimi Tenor was born. This vibrant new album is a seamless fusion of Jazz-Funk styles.
Tenor was playing a HellYeahRecords party in Perugia, Italy when the local collective Aura Safari joined him in the studio the day before. Despite never meeting, they found a natural creative connection.
Jimi Tenor is a seasoned musician known for his Psychedelic space-jazz-funk sound. He's toured the world & collaborated with artists like Japanese master Calm.
Aura Safari is a collective of bass, synth, guitar & keys players who are regulars on Hell Yeah, having released the acclaimed "Island Dreams" album last year.
The album opens with the sultry "Bodily Synesthesia" - smooth sax lines, gentle grooves & ethereal vocals. "Lunar Wind" blends jazzy keys & soulful hooks.
"Bewitched By The Sea" has a tropical, percussive vibe with majestic melodies. "My Bluebell" quickens the pace with Jazz-Funk grooves.
"Last Waltz In Perugia" features freeform sax over intricate drums. "Gimlet" brings a playful, samba-inspired rhythm & sunny flute leads. The mood shifts to laidback & carefree in "It's Too Easy To Love You" before the melodic joy of "Your Magic Touch." The dramatic "Indigo" closes with a captivating conversational sax.
"Sensory Blending" is a testament to the magic of creative collaborations. AuraSafari & JimiTenor have crafted a vibrant, musically rich album, check it out now!!!
King Pari - "There It Goes”
Discovering the Timeless Groove: King Pari's "There It Goes"
Imagine stepping into a dimly lit, smoke-filled room where the air is alive with the pulsating rhythms of a bygone era, yet somehow, it feels eerily contemporary. The music swirling around you is a mesmerizing blend of funk, psychedelia, and a hint of Minneapolis magic. This is the world that King Pari invites you into with their debut album, "There It Goes." But what makes this album so special, and why should you immerse yourself in its sonic tapestry?
The Genesis of King Pari
King Pari, the brainchild of Joe Paris Christensen and Cameron Kinghorn, is a duo that embodies the spirit of musical innovation. Hailing from Minneapolis, a city steeped in musical history thanks to the legendary Prince, King Pari's roots run deep. Before forming the duo, Christensen and Kinghorn cut their teeth in the vibrant Minneapolis music scene, performing alongside some of the city's most talented musicians. Their early gigs, including opening for the jazz virtuoso Kamasi Washington, were a testament to their unique sound and undeniable talent.
Influences and Musical Heritage
The influence of Prince on King Pari's music is palpable, yet it's not a mere homage; it's a continuation of a musical legacy. The duo's sound is often described as 'bedroom funk,' a term that captures the intimate, lo-fi quality of their recordings while highlighting their ability to craft infectious, danceable tracks. This blend of Prince’s funk sensibilities and the psychedelic dub elements creates a sound that is both nostalgic and forward-thinking.
Tracklist and Musical Style
The album unfolds like a journey through different moods and landscapes. Here’s a glimpse into some of the standout tracks:
"Wait a Minute": This opening track sets the tone with its laid-back groove and soulful vocals, inviting you to step into King Pari’s world.
"Somethin’ Somethin’": A funk-infused anthem that showcases the duo’s ability to craft hooks that linger long after the song ends.
"West Coast Country": A track that blends the laid-back vibes of the West Coast with a country twang, creating a unique and captivating sound.
"Eggface (I’m Not Screamin’ for Nothin’)": This song is a masterclass in building tension and release, with its driving beat and emotive vocals.
"Bag. Full. Of. Cash": A high-energy track that combines catchy melodies with a driving rhythm, making it impossible to sit still.
Each track on "There It Goes" is a testament to King Pari’s versatility and creativity. The music is rich with emotion, full of funky grooves, and infused with a sense of nostalgia that feels both timeless and contemporary.
Critical Reception and Early Attention
Long before the album's release, King Pari had garnered attention from influential figures in the music industry. Their early performances and demos had already created a buzz, with many anticipating their debut. This early attention is a testament to the duo's talent and the unique sound they bring to the table.
Listening Experience and Recommendations
Listening to "There It Goes" is an immersive experience. The album is best enjoyed in its entirety, allowing the listener to fully absorb the journey that King Pari has crafted. From the opening notes of "Wait a Minute" to the final beats of "Collect the Night," the album takes you on a sonic adventure that is both personal and universal.
For fans of funk, psychedelia, or anyone looking to explore new sounds, "There It Goes" is a must-listen. It’s an album that will appeal to those who appreciate the depth and complexity of Prince’s work, as well as those who enjoy the contemporary sounds of artists like Unknown Mortal Orchestra or Khruangbin.
Conclusion
As you step out of that dimly lit, smoke-filled room, the music of King Pari lingers, leaving an indelible mark on your senses. "There It Goes" is more than just an album; it’s an experience that transports you to a world where time stands still, and all that matters is the groove. If you’re curious about what happens when Minneapolis magic meets contemporary funk and psychedelia, then King Pari’s "There It Goes" is the answer. Dive into this album, and you’ll find yourself lost in a world of timeless grooves and unforgettable melodies. So, go ahead, press play, and let the music take you there.
House/Techno
Colin Newman and Malka Spigel - “Bastard”
“Bastard” is a 25th anniversary reissue of a 1997 album by Colin Newman of Post-Punk pioneers Wire. The album is now credited to Newman and his wife and regular collaborator Malka Spiegel. Initially the album may feel a bit dated. But repeat listening (especially on headphones) rewards the listener revealing a much more nuanced sound. This sound encompasses Drum ‘n’ Bass breakbeats, techno beats, radio show samples and plenty of layers of synths. This combination of Sounds really stood out both at the time and now. This is no bad thing with Newman and Spiegel combining both the sound they had developed with those that were contemporary at the time. Overall, “Bastard” is an album that will appeal to both fans of Post-Punk music and those of Electronic music, check it out now!!!
Cruisic - "Euphoria"
Discovering Cruisic's "Euphoria": A Sonic Journey of Nu-Funk and Jazz-Funk
Imagine yourself on a warm summer evening, the sun dipping below the horizon, casting a golden glow over the city. The air is filled with the vibrant rhythms of live drums and the smooth, mellow tones of electronic sequences. This is the world that Cruisic invites you into with their highly anticipated album, "Euphoria," set to release on November 22, 2024, coinciding with Record Day 2024.
The Background of Cruisic
Cruisic, a human-driven electronica band from Tokyo, Japan, is the brainchild of track maker Yukinari Iwata and drummer Ryusuke Kakizawa. Since their debut, they have been making waves with their unique interpretations of classic tracks. Their covers of Azymuth's "Jazz Carnival" and 808 State's "Pacific 707" garnered significant attention in the UK, setting the stage for their original work. With "Euphoria," Cruisic shifts the focus to their own talents and masteries, promising a fresh and exciting musical experience.
Musical Style and Influences
"Euphoria" is a masterful blend of nu-funk, jazz-funk, house, MPB (Brazilian Popular Music), and acid jazz. The album is characterized by its use of live drums and backing sequences, creating a dynamic yet smooth sound. The tempo remains steady at around 115 BPM, perfect for both the dance floor and headphone listening. This consistency in tempo and tone is a hallmark of Cruisic's style, ensuring that the album flows seamlessly from one track to the next.
The influence of Brazilian and jazz music is palpable, with each track infused with a jazzy, groovy, and Balearic worldview. Tracks like "Pacific 707" and "Jazz Carnival" showcase Cruisic's ability to reinterpret classic genres in a modern context, making the album a must-listen for fans of these genres.
Tracklist and Notable Tracks
The album features eight tracks, each a testament to Cruisic's versatility and creativity:
- A1. Pacific 707 (Full Length Version): A cover that has already gained acclaim, this track sets the tone for the album with its infectious beat and smooth electronic sequences.
- A2. Come With Me (feat. BAKU FURUKAWA): This track stands out with its guest feature, adding a new layer of depth to the album. The vocals blend perfectly with the instrumental backdrop, creating a compelling and catchy tune.
- A3. Snake Eyes: With its extended playtime, "Snake Eyes" allows the listener to fully immerse themselves in the rhythmic and melodic intricacies of Cruisic's sound.
- A4. Time Will Tell: This track maintains the album's steady tempo while introducing subtle variations that keep the listener engaged.
- B1. Jazz Carnival: Another cover that showcases Cruisic's skill in reinterpreting classics, "Jazz Carnival" is a vibrant and energetic track that highlights the band's jazz influences.
- B2. Inspector Norse (Full Length Version): Originally released in 2019, this full-length version offers a more comprehensive look at Cruisic's ability to blend electronic and live elements seamlessly.
- B3. Floating (Full Length Version): This track is a perfect example of how Cruisic can create a sense of fluidity and continuity, making it hard to resist the urge to move to the beat.
- B4. Finally (Full Length Version): The final track on the album, "Finally" wraps up the musical journey with a satisfying conclusion, leaving the listener eager for more.
Production and Sound Quality
The production quality of "Euphoria" is impeccable. The blend of live drums and electronic sequences is executed flawlessly, creating a sound that is both authentic and modern. The album's sound design ensures that each element is balanced, allowing the listener to appreciate the full range of Cruisic's musical talents.
Reception and Anticipation
Given the success of their previous singles and EPs, there is significant anticipation around "Euphoria." Fans and critics alike are eager to experience the full-length album, and the pre-order numbers reflect this excitement. With most of their previous 7-inch releases selling out immediately, it's clear that Cruisic has built a loyal following.
Physical Release and Availability
"Euphoria" will be released on vinyl, a format that perfectly complements the album's warm and analog sound. The vinyl release is available for pre-order on various platforms, including Juno Records, Bandcamp, and Upcoming Vinyl. For those who appreciate the tactile experience of listening to music on vinyl, this release is a must-have.
Conclusion
As you delve into the world of "Euphoria," you'll find yourself transported to a place where music is not just a collection of tracks, but an experience. Cruisic's ability to blend different genres and create a unique sound is a testament to their talent and dedication. If you're looking for an album that will keep you moving and engaged, look no further than "Euphoria."
So, as the sun sets on that imaginary summer evening, and the rhythms of Cruisic fill the air, you'll understand why "Euphoria" is more than just an album – it's a journey into the heart of nu-funk and jazz-funk. Don't miss out on this sonic adventure; pre-order "Euphoria" today and experience the magic for yourself.
Latin American music
Grupo Irakere - “Grupo Irakere”
This album is a reissue of the important Cuban Jazz band Grupo Irakere who were influential both on Cuban Jazz and the Latin dance music scene from this album (1976) onwards.
The band was formed by pianist Chucho Valdés (son of Cuban music legend Bebo Valdes) and veteran music director/arranger/conductor Armando de Sequeira Romeu, both members of Orquesta Cubana de Música Moderna in 1973. The idea was that the band would be a state sanctioned experimental Jazz band finding together both traditional Cuban Folk music (son, descarga, rhumba, bolero, merengue) with the current Jazz, Funk and Rock influences.
It's safe to say that the experiment worked!!! It brings together those Latin slinking rhythms, shronking Jazz solos and hard grooves of Rock and Funk with aplomb!!! It's a raw sound that at times recalls Weather Report and has moments that wouldn't sound out of place on Frank Zappa's “Waka/Jawaka” putting it firmly in the top tier of Jazz Fusion!!! Check it out now!!!
Salsa Suprema - “En La Conquista Del Mundo Latino”
The name Larry Francia might not be well known but when a label as esteemed as El Palmas Music plucks a musician from obscurity you know you need to be paying attention. The label’s hyper focus on Venezuelan music unearthed another gem from this country’s deep and rich musical history. Francia is a salsa singer par excellence growing up in San Augustin de Sor a Caracas neighborhood known for its salsa music. As young as 12 he was being recruited to record like the popular salsa singer Victor Pinheiro. His talent was undeniable even at this age. This re-issue celebrates Larry the singer bringing together 10 of his finest tracks and its end-to-end salsa bangers. Check it out now!!!
Empanadas ilegales - “Creepy Mambo (Rooftop Sessions)"
Get ready for a mind-bending musical journey with Empanadas ilegales's latest album "Creepy Mambo: Rooftop Sessions"!
The story behind this trailblazing Vancouver band is as captivating as their music. Their name? It originated from a 2012 incident in Bogotá where street vendors were banned from selling empanadas!
Empanadas Ilegales blends Latin American cumbia rhythms with psychedelic & surf rock, pioneering a unique "cumbia-psych" sound that will have you swaying from start to finish.
"Creepy Mambo" was recorded LIVE on a rooftop, capturing the raw energy & infectious grooves that have become the band's trademark. Get ready for spellbinding guitar solos & raucous saxophones!
From "La Primera Pachanga en Marte" to "Batidora 3 in 1" & "Luna Modular", each track is a mesmerizing journey through Empanadas Ilegales' sonic landscape.
Their music celebrates cultural fusion, blending the traditional with the modern in the most delightful way. Get transported to a realm where genres collide & boundaries dissolve.
Whether you're a cumbia aficionado or new to the genre, "Creepy Mambo" will captivate & enchant you. It's a testament to music's power.
Don't miss out on this psychedelic cumbia odyssey! Let Empanadas Ilegales' infectious grooves & spellbinding melodies take you on a journey like no other. Check it out now!!!
Raul Gomez - "Instrumental"
If you're a fan of music that defies genres & boundaries, then you owe it to yourself to experience the audacious brilliance of Raul Gomez's 1977 album "Instrumental".
This visionary release from the Cuban composer/guitarist is a tour-de-force of inventive genre synthesis that was lightyears ahead of its time. From the opening notes, you're immersed in a kaleidoscopic world where Afro-Cuban rhythms intertwine with jazz, funk, psychedelic rock & disco.
The album's genius lies in how it takes the rich percussive traditions of Afro-Cuban music as its rhythmic foundation, and then audaciously weaves in an eclectic tapestry of influences.
Take the track "Quindiambo" - it opens with an infectious Afro-Cuban groove before Gomez's searing psychedelic guitar lines & a cosmic funk groove enter the cosmic dance. It's like hearing Santana collab with Parliament-Funkadelic!!!!
On "Danza Naniga", Gomez conjures a lush, downtempo atmosphere with orchestral flourishes & hypnotic percussion before it builds to an ecstatic crescendo of fiery Latin jazz soloing over a pulsing disco beat.
Every track is a magnum opus of eclectic virtuosity & visionary composition. The trippy, effects-laden cover of "Misaluba" reimagines the original as a kaleidoscopic Afro-Cuban psychedelic odyssey.
"Valle Picadura" is a high-energy fusion of punchy funk grooves & soaring jazz horn arrangements that wouldn't sound out of place on a blaxploitation soundtrack.
What's impressive is how Gomez's innovative synthesis never feels forced or gimmicky. The elements coalesce organically, driven by exceptional musicianship. This is music that grooves, astounds & transports you.
For too long, "Instrumental" has been an underappreciated cult classic, its ambition too advanced for its era. But this album's creative spirit feels vital & relevant today in our genre cross-pollination era.
Gomez was fusing past & future, tradition & innovation, setting the stage for Latin fusion pioneers. If you're a true music explorer, immerse yourself in the cosmic, groove-laced genius of "Instrumental"!!! Check it out now!!!
Rolando Bruno Y El Grupo Arevalo - “Cosas Raras”
Rolando Bruno's musical journey is a fascinating tale of evolution and experimentation. Starting his career with the raw, 60s-inspired garage punk band Los Peyotes, Bruno quickly made a name for himself in the underground music scene of Buenos Aires. His early work was characterized by high-energy guitar riffs and a rebellious spirit, which laid the foundation for his future endeavors.
After his stint with Los Peyotes, Bruno ventured into solo projects, creating a unique "MIDI Orchestra" where he used a computer to craft backing tracks. This period marked the beginning of his exploration into cumbia, blending it with his garage rock roots to create a distinctive sound he dubbed "cumbia trash." His solo work, including albums like "Bailazo" (2015) and "El Mundo Está Cumbiando" (2019), showcased his ability to merge traditional Latin American rhythms with modern, eclectic influences.
Now, with the release of "Cosas Raras," Bruno has taken his musical experimentation to new heights. This album is a testament to his growth as an artist, featuring a rich tapestry of sounds and styles. Recorded with his band Grupo Arévalo, "Cosas Raras" is the first album where all members played on every track, adding depth and variety to the music.
Musical Style and Influences
"Cosas Raras" is a vibrant mix of genres, reflecting Bruno's diverse musical influences. The album incorporates elements of Arabic and flamenco music, Afro disco, Japanese pop, Latin American baladas, and Dominican merengue. This eclectic blend creates a unique listening experience that is both familiar and refreshingly new. The lead single, "Merentrash," exemplifies this fusion with its retro Miami club vibe, setting the tone for the rest of the album.
Lyrical Themes and Cultural References
The album's title, "Cosas Raras" (Strange Things), hints at the unconventional and quirky themes explored in the lyrics. Bruno delves into a variety of topics, from romance and heartbreak in tracks like "Romance Isleño" (Island Romance) and "Ni una Lagrima mas" (Not One More Tear), to cultural fusion in "Lejos de Habibi" (Far from Habibi). The album also touches on themes of urban life, emotional resilience, and surreal experiences, all wrapped in a playful and imaginative lyrical style.
Bruno's fascination with pop culture is evident throughout the album. He draws inspiration from UFOs, street food, and vintage horror movies, weaving these elements into his music and visuals. This blend of cultural references adds a layer of depth and intrigue to the album, making it a rich and engaging listen.
Conclusion
"Cosas Raras" is a bold and adventurous album that showcases Rolando Bruno's ability to push the boundaries of cumbia and create something truly unique. His willingness to experiment with different genres and cultural influences has resulted in a vibrant and eclectic collection of songs that are sure to captivate listeners. Whether you're a long-time fan or new to his music, "Cosas Raras" offers a fresh and exciting take on cumbia that is both innovative and deeply rooted in tradition.
Mestizo Beat - “Jaragua”
Mestizo Beat: Igniting Dance Floors with a Fusion of Rhythms
Mestizo Beat, an Afro-Latin Soul Ensemble based out of Los Angeles, was formed in late 2016 by the Magaña Brothers, Aquiles and Agustin. The band's name, "Mestizo," reflects their Salvadoran roots and their mission to create music that sets dance floors ablaze. This name signifies the blend of cultural heritages, much like their music, which fuses early 70s Funk, Soul, Latin Jazz, Afrobeat, and Psychedelic Rock.
The band's latest album, "Jaraguá," released on June 28, 2024, continues this tradition of blending genres. The album features tracks like "Jaraguá," "On My Way," and "She's A Rose," showcasing their ability to merge tight rhythms, big horn sections, and soulful melodies. Mestizo Beat's music carries a sense of nostalgia, paying homage to greats like James Brown, Parliament Funkadelic, and Fela Kuti, while infusing their unique contemporary twist.
The Music: A Dancefloor Phenomenon
Mestizo Beat's music is designed to fill dance floors with infectious energy. Their live performances are a testament to this, characterized by high-energy, spontaneous yet controlled shows that unify the audience and band into one pulsating rhythm. The band's core members—Aquiles on guitar, Agustin on drums, Pedro Flores on percussion, and Jose Castro on bass—are often joined by a dynamic brass section, keyboardists, and guest singers, creating a rich, layered sound.
The influence of James Brown and Parliament Funkadelic is evident in their music. Mestizo Beat incorporates tight, intricate rhythms and powerful horn sections, reminiscent of these funk legends. Their brass section adds a dynamic layer to their sound, driving the energy of their tracks and live performances. The deep, infectious funk grooves and syncopated rhythms create a relentless energy that is central to their music.
Fusion of Latin American Rhythms and Funk
What sets Mestizo Beat apart is their seamless fusion of Latin American rhythms with jazz, funk, soul, and afrobeat. The band's percussionist, Pedro Flores, integrates traditional Latin rhythms into the foundation of their tracks, creating a rhythmic base that is distinctly Latin yet adaptable to other genres. This fusion is enhanced by the use of traditional Latin instruments like congas and bongos alongside typical funk and soul instruments such as electric guitar, bass, and brass sections.
The result is a vibrant and eclectic sound that transcends cultural and musical boundaries. Tracks like "Cumbia De Jaraguá" highlight this blend, combining cumbia rhythms with funk grooves and soulful melodies. The band's ability to merge these diverse styles creates a unique and contemporary take on classic funk and soul, while honoring their Salvadoran heritage.
Conclusion
Mestizo Beat's "Jaraguá" is a celebration of cultural fusion and musical innovation. Their ability to blend Latin American rhythms with jazz, funk, soul, and afrobeat creates a sound that is both nostalgic and fresh. By paying homage to the greats who came before while infusing their unique twist, Mestizo Beat continues to ignite dance floors and spread a message of unity and love through their music. Whether you're a fan of classic funk or contemporary Latin jazz, Mestizo Beat's "Jaraguá" is sure to leave you dancing and rejoicing in the beauty of cultural diversity.
Caribbean Jazz Project - “New Horizons”
The Caribbean Jazz Project's journey to "New Horizons" is a tale of reinvention and musical evolution. Formed in 1993 by vibraphonist Dave Samuels, the original lineup included saxophone legend Paquito D'Rivera and steel pan virtuoso Andy Narell. After two successful albums, the group faced a turning point when D'Rivera and Narell departed. Undeterred, Samuels seized this as an opportunity to reimagine the project's sound.
In 2000, "New Horizons" emerged with a fresh lineup featuring flautist Dave Valentin and guitarist Steve Khan alongside Samuels. This new incarnation brought a unique instrumental blend to the forefront of Latin jazz. The album showcases an innovative combination of vibraphone, flute, and guitar, supported by a rhythmically rich, drummerless percussion section.
The music on "New Horizons" is a vibrant tapestry of Latin jazz influences. It expands beyond Afro-Cuban styles to incorporate a wider range of South American and Caribbean sounds. The album opens with the energetic "Descarga Canelon," a songo that immediately showcases the new lineup's chemistry. "Ivory Coast" follows with a mesmerizing 6/8 Afro-Cuban feel, while "Rain Forest" explores the Puerto Rican bomba rhythm.
One of the album's standout tracks is "Charanga Si Si," an eight-minute composition by Steve Khan that features a catchy, intricate melody, percolating rhythms, and an unexpected call-and-response vocal coro. The band's treatment of Dizzy Gillespie's "A Night in Tunisia" is equally impressive, offering one of the most unique and satisfying arrangements of this jazz standard, complete with impressive bass work by John Benitez and a captivating percussion break.
Samuels' original compositions shine throughout the album. "Over the Horizon" is particularly noteworthy, colored by his intense marimba playing and Valentin's gorgeous flute work. The interplay between Samuels' vibes, Valentin's flute, and Khan's guitar creates a constantly shifting sonic landscape that keeps listeners engaged throughout.
The album closes with the exciting "Rompiendo el Hielo en 2000" (Breaking the Ice in the Year 2000), which brings the percussionists to the forefront, showcasing the fiery rhythmic foundation that underpins the entire album.
Critically acclaimed, "New Horizons" was praised for its freshness and musicality. Reviewers highlighted the album's accessibility and substance, noting how it appealed to both casual listeners and jazz aficionados. The performances were lauded, with Samuels delivering what some considered one of his finest recorded outings.
The legacy of "New Horizons" in Latin jazz is significant. It introduced a novel front-line instrumentation that hadn't been explored before in the genre. By challenging conventions like omitting piano and using a drummerless rhythm section, it opened new possibilities for Latin jazz arrangements. The album's success proved that Latin jazz could evolve while maintaining its core identity, inspiring future generations of musicians to experiment with instrumentation and styles within the genre.
"New Horizons" stands as a testament to the Caribbean Jazz Project's ability to adapt and innovate, cementing their place in the pantheon of Latin jazz and influencing the direction of the genre for years to come. Its blend of traditional Latin rhythms with modern jazz harmonies and unique instrumental combinations continues to inspire and influence Latin jazz musicians to this day.
Conjunto Papa Upa - “Fruta Madura”
Alex Figueira's musical career is a fascinating journey through diverse genres and cultural influences, reflecting his roots and experiences across continents. Born in Venezuela to Portuguese parents, Figueira's upbringing in Caracas immersed him in the vibrant sounds of Venezuelan music. This early exposure laid the foundation for his eclectic musical style, which he has honed and expanded upon throughout his career.
Figueira's journey took a significant turn when he moved to Amsterdam, where he became a pivotal figure in the underground music scene. He founded the Barracão Sound studio and Music With Soul Records, both of which have become hubs for innovative musical projects. His work with Fumaça Preta, a band known for its explosive fusion of psychedelic rock, Latin rhythms, and funk, exemplifies his ability to blend diverse influences into a cohesive and dynamic sound. Fumaça Preta's music is characterized by its energetic performances and genre-defying compositions, drawing from tropicalia, fuzz funk, and more.
In addition to Fumaça Preta, Figueira is also a driving force behind Lola's Dice, a band that began by experimenting with punk and funk before evolving into a unique blend of Latin American rhythms and modern sounds. Their music incorporates elements of Tropical Noise, creating a vibrant and danceable experience that reflects Figueira's innovative approach to music.
Conjunto Papa Upa, Figueira's current project, continues his exploration of musical diversity. The band's latest album, "Fruta Madura," released in 2024, is a testament to Figueira's creative vision. The album is a rich tapestry of Latin, African, and Caribbean rhythms, seamlessly integrating elements of soul, funk, jazz, psychedelia, and electronics. It stands out in the tropical music scene for its polyrhythmic foundation and avoidance of genre clichés, offering a fresh and vibrant listening experience. The album's tracks traverse diverse tempos and motifs, creating an intercontinental journey that reflects Figueira's expansive musical research and personal experiences.
Figueira's work is not only a celebration of cultural fusion but also a testament to his commitment to pushing musical boundaries. His projects, including Conjunto Papa Upa, Fumaça Preta, and Lola's Dice, demonstrate his ability to create music that is both deeply rooted in tradition and boldly forward-thinking. Through his innovative compositions and collaborations, Alex Figueira has established himself as a visionary in the world of tropical and psychedelic music, continually redefining what is possible within these genres.
Rio 18 - “Radio Chevere”
Exploring "Radio Chevere" by Rio 18: A Sonic Journey Across Cultures
Introduction
Have you ever wondered how a single album can transport you across continents, immersing you in the sounds and stories of diverse cultures? "Radio Chevere" by Rio 18 does just that, offering a musical passport to a world of vibrant rhythms and languages.
Album Concept
"Radio Chevere" is crafted as a unique blend of a mixtape and a radio show, featuring sound collages that evoke the nostalgic power of radio. The album serves as a metaphor for migration, capturing the essence of cultural exchange through music.
Musical Diversity
The album explores genres such as Samba, Salsa, Funk, Cumbia, Joropo, Disco, Psychedelia, and Electronic music. With lyrics in Spanish, Portuguese, Welsh, and English, it reflects Carwyn Ellis's journey through linguistic and cultural landscapes.
Collaborations
Featuring collaborations with artists like Brazilian legends the +2’s and Venezuelan singer Luzmira Zerpa, each track is enriched with authentic sounds and voices. These partnerships add depth and diversity to the album's musical tapestry.
Production Insights
Carwyn Ellis focuses on writing and producing rather than performing vocals, allowing collaborators to bring their unique perspectives to the songs. This approach highlights Ellis's dedication to authenticity and cultural representation.
Album Artwork
The cover art by Colombian artist Yoda is a visual masterpiece that mirrors the album's themes of migration and cultural fusion. The artwork features vibrant colors and dynamic imagery, symbolizing the lively and eclectic nature of the music within. It serves as a visual gateway into the album's world, inviting listeners to embark on a cross-cultural journey.
Reception and Impact
Praised for its nostalgic grooves and ability to transport listeners across continents, "Radio Chevere" is both timely and timeless. It stands out as an essential playlist for those seeking global musical experiences.
Conclusion
So, what makes "Radio Chevere" worth listening to? It's not just an album; it's an invitation to explore the rich tapestry of Latin music. Its celebration of cultural diversity makes it a must-listen for anyone who appreciates global sounds. Dive into this sonic adventure and let Rio 18 guide you through their world of musical migration—where every note is a step on your journey.
Soul
The Modulations - “It's Rough Out Here”
The Modulations, a soulful R&B vocal group from Durham, North Carolina, emerged in the early 1970s, captivating audiences with their emotive harmonies and heartfelt lyrics. Comprising Larry Allen, Larry Duncan, Hoyle Saunders, and Henry Chanel, the group initially gained attention with singles like "I'm Hopelessly in Love" and "I Can't Fight Your Love." Their journey into the music industry was marked by a collaboration with the renowned house band MFSB, leading to their debut album, "It's Rough Out Here," released in 1975.
The album was a testament to the rich, orchestral sound of Philadelphia soul, featuring arrangements by Vince Montana, Norman Harris, and Ronald Baker. MFSB's contributions of strings and horns, led by Don Renaldo, provided a lush backdrop that elevated the group's vocal performances. Tracks like "Rough Out Here" and "Worth Your Weight in Gold" exemplify the blend of soulful melodies and intricate arrangements, capturing the essence of struggle and resilience.
Despite not achieving mainstream commercial success, "It's Rough Out Here" developed a dedicated following among soul enthusiasts. The Modulations' appearance on "Soul Train" in 1976 marked a career highlight, showcasing their talent to a broader audience.
Over the years, the album has been recognized as a hidden gem of 1970s soul music. Its reissue on yellow vinyl in 2024 underscores its enduring appeal, allowing a new generation to appreciate its artistry. The Modulations' legacy lies in their ability to convey the emotional depth of everyday life through music, securing their place in the annals of soul history.
Gloria Scott - “What Am I Gonna Do”
Gloria Scott's "What Am I Gonna Do": A Soul Music Gem
In the vast landscape of soul music, there are albums that quietly shimmer in the background, waiting to be rediscovered and appreciated for their timeless beauty. Gloria Scott's "What Am I Gonna Do" is one such hidden gem. Released in 1974, this album, produced by the legendary Barry White, is a masterclass in soulful expression and lush orchestration. But what makes this album so special? Let's dive into its depths and uncover why it deserves a place in your playlist.
Album Overview
Released by Casablanca Records, "What Am I Gonna Do" marked one of the earliest projects for the label, being only their second album release. With Barry White at the helm, known for his romantic soundscapes and rich orchestrations, the album was destined to be something extraordinary. The Love Unlimited Orchestra's involvement added another layer of sophistication, creating a sound that is both grand and intimate.
Artist Background
In the rich tapestry of soul music, Gloria Scott's journey is a compelling narrative of talent, opportunity, and resilience. Born on February 26, 1946, Scott's musical career began in her teenage years when she was discovered by Sly Stone. At just 17, she recorded "I Taught Him" with Gloria Scott and the Tonettes, a track that captured the essence of girl groups like The Shirelles and The Ronettes. This early exposure to the music industry set the stage for her future endeavors.
Scott's path took a significant turn when she joined The Ikettes, backing vocalists for Ike & Tina Turner. This experience not only honed her performance skills but also connected her with influential figures in the music world. Her work as a background singer for Mary Wilson of The Supremes further solidified her reputation as a talented vocalist.
The pivotal moment in Scott's career came when she met Barry White through a recommendation from her songwriting partner, Sonny Chaney. In 1972, White signed Scott to a seven-year contract, recognizing her potential to shine as a solo artist. This collaboration culminated in the release of "What Am I Gonna Do" in 1974, an album that showcased Scott's powerful voice against White's lush orchestral backdrops.
Key Tracks
The title track, "What Am I Gonna Do," sets the tone with its heartfelt lyrics and sweeping arrangements. Scott's voice carries an emotional weight that resonates deeply, drawing listeners into her world of longing and introspection. "(A Case Of) Too Much Love Makin'" is another standout, with its infectious groove and playful energy, showcasing Scott's versatility as a performer.
Production Insights
Barry White's production style is unmistakable throughout the album. Known for his ability to blend orchestral elements with soul rhythms, White creates a lush soundscape that envelops Scott's vocals beautifully. The Love Unlimited Orchestra plays a crucial role, adding depth and richness to each track. The recording process was meticulous, ensuring every note contributed to the album's cohesive sound.
Historical Context
Despite its brilliance, "What Am I Gonna Do" was initially overlooked commercially. However, time has been kind to this record. Original vinyl copies have become collector's items, fetching high prices due to their rarity and quality. Recent reissues have allowed new audiences to experience its magic, reaffirming its status as a cult classic in soul music.
Critical Reception
At the time of its release, the album didn't receive widespread acclaim. However, contemporary critics have re-evaluated it as an essential piece of 1970s soul music. Its influence can be heard in later artists like Alicia Keys and John Legend who draw inspiration from its rich production and emotive storytelling.
Musical Significance
The album exemplifies the quintessential 1970s soul sound—lush orchestrations paired with heartfelt vocals. Scott's voice is both powerful and tender, navigating complex emotions with ease. Each track is a testament to her talent and White's visionary production skills.
Cultural Impact
While it may not have topped charts upon release, "What Am I Gonna Do" has left an indelible mark on soul music. Its tracks have been covered and sampled by modern artists such as Kanye West and Mary J. Blige, highlighting its enduring influence. Gloria Scott paved the way for many female artists in the genre, inspiring them with her soulful delivery and authenticity.
Reissues and Legacy
Recent reissues have breathed new life into this classic album, making it accessible to today's listeners. The collectibility of original pressings speaks volumes about its lasting appeal. Gloria Scott remains a revered figure in soul music circles, her work continuing to resonate with audiences old and new.
Conclusion
So why should you listen to "What Am I Gonna Do"? Beyond its historical significance and critical acclaim lies an album that speaks directly to the heart. Its lush arrangements and Gloria Scott's captivating vocals create an immersive experience that transcends time. This album isn't just a collection of songs; it's a journey through emotion and artistry that deserves your attention. Dive into its soulful depths—you won't be disappointed.
Jazz
Takuya Koroda - “Rising Son”
Takuya Koroda originally hailed from Kobe Japan but moved to New York in the mid noughties to study jazz at The New School. Settling in Brooklyn he became enamored with the local music scene both in Hip-Hop and Jazz circles. Playing with Blue Note vocalist Jose James he learnt the ropes of playing in a Jazz band. It was James who encouraged him to add more of an R&B and hip-hop sensibility to his original compositions. This is where we find Koroda on “Rising Son", combining beats that feel like DJ Premier or J Dilla with the musicality of Jazz and the grooves of Funk and Afrobeat. Most impressively of all is his masterful cover version of Roy Ayers classic ‘Everybody Loves the Sunshine’, teasing how the intro for two and a half minutes before James begins with the iconic “My life, My life, My life, My life”.
As James said himself “No one sounds like Takuya, his tone, warmth and most of all his storytelling have inspired me for years. His writing is soulful, modern and effortlessly bridges the gap between jazz and soul and between history and tomorrow.”. This is about as good a description of rising son as one could hope to come up with. This is music for those who are attracted to warmth, groove and a soulful feel. Check it out now!!!
Hip-Hop
Dälek- “Negro, Necro, Nekros”
Prepare to be blown away by Dälek's seminal 1998 debut album "Negro Necro Nekros" - a confrontational masterpiece that deconstructs Hip-Hop and rebuilds it with industrial strength noise and avant-garde experimentation.
From the opening barrage of "Swollen Tongue Bums," you're engulfed in a dense wall of distortion, with MC Dälek's powerful vocals breaking through the cacophony.
The production is a striking fusion of harsh noise and gritty, sample-based beats, creating an oppressive, claustrophobic atmosphere.
Beneath the abrasive sonics are razor-sharp lyrics, delivering scathing political and social critiques with a rattling bite.
Dälek pays tribute to black activist icons like Martin Luther King Jr. and Malcolm X, defiantly declaring "My People won't kneel" over the blistering track "Echoes
Moments of haunting beauty like the sax-sampling "The Untravelled Road" offer a respite, with abstract lyricism that is psychedelic and soothing.
"Negro Necro Nekros" demolished hip-hop conventions, seamlessly fusing genres from industrial to shoegaze, creating an all-encompassing sonic experience.
Over two decades later, this cult classic still sounds fresh and innovative, expressing the angst and urban decay of the late 90s.
Essential listening, "Negro Necro Nekros" is an uncompromising artistic statement that redefined what rap music could be.
Heems & Lapgan - “LAFANDAR”
Now you may be familiar with the music of Heems, once a member of Das Racist and currently part of Swet Shop Boys. The Indian American has come to define hip-hop identity from the Indian subcontinent.
You may be less familiar with the music of Lapgan (his recent beat tape “History” featured in a Best Releases of 2023) fusion of samples sourced from Indian music archives and contemporary underground Hip-Hop beats. He has been building a reputation for a couple of years now after the back of his beat tapes.
The two met after Heems heard Lapgan's music and decided to sign him to his label Veena. The two hit it off to the point Heems delayed his solo comeback album and instead worked on what became “LAFANDAR”.
The result is an album that celebrates Indian musical tradition, modern Indian music and Hip Hop tropes alike. Who is on top comedic form as our number of the high profile MC's sprinkled throughout the album. Pop Culture references are also high on the list of lyrical content. The final ingredient in the lyrical curry is hemes reflecting on his own identity as an Indian American, this is perfectly complemented by more reflective and Moody beats provided by Lapgan in these moments.
The album whizzes by in just over half an hour and it's a delirious and delicious ride that will have you hitting the play button again instantaneously!!! Check it out now!!!
Royal Flush - “Ghetto Millionaire”
What if I told you that one of the most underrated albums of the '90s hip-hop scene is a treasure trove of raw emotion, street wisdom, and lyrical depth? Royal Flush's debut album, Ghetto Millionaire, released on August 19, 1997, offers a compelling glimpse into the struggles and aspirations of urban life, making it a must-listen for any hip-hop enthusiast.
Background
Royal Flush hails from Queens, New York, and emerged during a pivotal moment in hip-hop history. As the genre began to gain mainstream traction, Flush remained committed to his roots, delivering authentic narratives that resonate with listeners. Ghetto Millionaire arrived at a time when the East Coast was grappling with its identity amidst rising tensions in the hip-hop community.
Album Highlights
Standout tracks like "Iced Down Medallions" and "Shines" exemplify Flush's storytelling prowess. In "Iced Down Medallions," featuring N.O.R.E., Flush paints a vivid picture of street life through sharp imagery and confident delivery. The track opens with a haunting piano melody layered over a crisp drumbeat, setting an ominous tone that perfectly complements Flush's lyrical bravado.
Lyrical Themes
The album delves deeply into various themes, including ambition, survival, and the harsh realities of street life. In "Worldwide," Flush addresses the frustrations within the New York hip-hop scene, challenging fellow artists to stand up for their city:
> “Man you sensitive, how you let these cats shit on your residence? / with fake robberies, who shot who wit no evidence.”
This bold declaration not only showcases his lyrical skill but also reflects a growing sentiment among artists during that era.
Another poignant example is "Shines," where Flush shares his cautionary tales about navigating the dangers of urban life:
> “Official facts, I walk around heavy wit two gats / so niggas can't snatch what's mine, I watch my back.”
This track features a soulful loop from Roy Ayers’ classic “Everybody Loves the Sunshine,” juxtaposing its smooth vibe against the stark realities presented in the lyrics.
Production and Sound
The production on Ghetto Millionaire is equally noteworthy. Collaborating with renowned producers like Buckwild and Da Beatminerz, Flush creates a soundscape that blends classic East Coast boom bap with rich samples. The beats are often characterized by deep basslines and intricate drum patterns that serve as the perfect canvas for Flush's vivid storytelling. For instance, "Movin' On Your Weak Productions" features an infectious groove that draws listeners in while delivering hard-hitting verses.
Cultural Impact
Despite its initial under-promotion, Ghetto Millionaire has garnered recognition as an emblematic piece of '90s hip-hop. It captures the essence of an era where authenticity was paramount and storytelling took center stage. The album resonates with those who appreciate music that reflects real-life struggles and triumphs.
Conclusion
So why should you give Ghetto Millionaire a listen? Beyond its historical significance, this album offers an immersive experience filled with rich narratives and captivating sounds. It’s not just an album; it’s a journey through the streets of Queens—a testament to ambition and resilience waiting to be rediscovered. Dive into its depths, and you may find yourself captivated by the raw energy and profound messages that make this album a hidden gem in hip-hop history.
Instrumental Hip-Hop
Brock Berrigan - "Paradise Canyon"
Exploring Brock Berrigan's "Paradise Canyon"
Introduction
Brock Berrigan, a masterful beat-maker and multi-instrumentalist, has long been celebrated for his unique ability to blend diverse samples with smooth instrumental beats. His music often transports listeners to different worlds, creating an immersive auditory experience. In 2024, Berrigan released "Paradise Canyon," an album that encapsulates his journey and experiences after moving to Southern Utah. This album is a testament to his evolving artistry, offering listeners a fresh yet familiar soundscape.
Background
"Paradise Canyon" is deeply rooted in Brock Berrigan's personal journey and experiences following his move to Southern Utah. This relocation was a significant milestone for Berrigan, something he had envisioned for quite some time. The decision to move was not merely about changing his environment but also about embracing a lifestyle that allowed him to connect more intimately with nature.
The breathtaking landscapes of Southern Utah, with its majestic canyons and serene vistas, provided Berrigan with a fresh wellspring of inspiration. This new setting infused the album with a sense of exploration and tranquility, reflecting the awe-inspiring beauty of the region. Tracks like "Nap in the Grand Canyon" and "Reap What You Sow" capture this essence, blending ambient sounds with mellow rhythms that evoke both wonder and introspection.
Berrigan's experiences in Utah, such as hiking through canyons and driving through the desert, have been pivotal in shaping his music. These adventures allowed him to organize new projects and create beats that resonate with the natural world around him. "Paradise Canyon" is a testament to this connection, offering listeners an auditory journey that mirrors Berrigan's own exploration of his new surroundings.
In essence, Brock Berrigan's move to Utah represents a new chapter in his life and career, providing both personal fulfillment and artistic inspiration that permeates every track of "Paradise Canyon."
Stand Out Tracks
The album comprises 15 tracks, each offering a unique auditory journey.
- "Writer's Brock" sets the tone with its smooth beats and intricate sampling, inviting listeners into Berrigan's world.
- "Nap in the Grand Canyon" captures the essence of relaxation and wonder, blending ambient sounds with mellow rhythms.
- "Reap What You Sow" stands out with its dynamic composition, showcasing Berrigan's skill in layering sounds to create depth and emotion.
Each track is meticulously crafted, ensuring that listeners remain engaged from start to finish. The album flows seamlessly, with each song building upon the last to create a cohesive narrative.
Musical Style and Production
Brock Berrigan's signature style shines throughout "Paradise Canyon." Known for his adept use of samples, he weaves together various musical elements to create a tapestry of sound that is both nostalgic and innovative. His proficiency as a multi-instrumentalist adds layers of complexity to the album, allowing for a rich and textured listening experience. The production quality is impeccable, highlighting Berrigan's attention to detail and dedication to his craft.
Reception and Impact
Since its release, "Paradise Canyon" has been met with enthusiasm from fans and newcomers alike. Listeners have praised its ability to transport them to another world, offering a sense of peace and reflection. The album fits seamlessly within Berrigan's broader discography while also marking a new chapter in his musical journey. It demonstrates his growth as an artist and his commitment to pushing creative boundaries.
Conclusion
"Paradise Canyon" is more than just an album; it's an experience. It invites listeners to embark on a journey through soundscapes inspired by nature's beauty. For those seeking music that offers both relaxation and introspection, this album is a must-listen. Brock Berrigan has once again proven his prowess as a beat-maker and storyteller through music.
Psychedelic Rock/Shoegaze
Swervedriver - “99th Dream”
Swervedriver were one of the earliest shoegaze bands of the late 80s/ early 90s. They established themselves alongside Creation Records label mates Ride and My Bloody Valentine as spearheads of that Psychedelic Rock sub genre. However, unlike those aforementioned bands Swervedriver weren't held up as 90s Rock music Legends once the dust settled on that great decade!!!
I hear you asking but what about this album? Well, Swervedriver developed across their career. After the Shoegaze of their Debut album, they embraced a more American sound on their second album “Mezcal Head” (1993) and then went full Brit on “Ejector Seat Reservation” (1995) and so arrived at “99th Dream” armed with a slew of musical skills!!!
“99th Dream” is the underappreciated album by this underappreciated band. Coming at the end of their initial run open (they reformed in 2008). Despite having been abandoned by both Creation and their American major label DGC the band trooped on. We should all be thankful for that because they produced a fantastic record!!!
The album has a come down feel which matches nicely with lead singer Adam Franklin's vocal style for the first time in their career. It also suits the fact that this was the final album of the initial stage of their career. What's most impressive is Franklin's songwriting and melodies. Some of the most impressive tracks here aren't far off highlights of the britpop era. These will take a little longer to grow on you.
All all “99th Dream” is a fantastic psychedelic rock album that exists in the quiet of the Post Britpop era. Thankfully this album that stood in the shadow of giants has finally get its day in the sun. Check it out now!!!
Meatbodies - “Flora Ocean Tiger Bloom”
Chad Ubovich returns from the brink with a dark, ambitious psych-rock record. The fuzz-drone riffs are big enough to hit the rafters and there’s plenty of niche touches for the heads. Where his band first appeared 10 years ago as a high-octane punk-fueled satellite in the greater Ty Segall Universe, Meatbodies’ transportive ambitions have, perhaps not coincidentally, expanded dramatically as Ubovich has grappled with the many hard-knock realities he’s sought to escape. After spending most of his 20s on the road with Meatbodies and various other affiliated acts (including Mikal Cronin’s live band and proto-metal power trio Fuzz with Segall and Charlie Moothart), Ubovich reached his physical and mental breaking point after the release of 2017’s Alice and hit the pause button—only to replace the all-consuming mania of tour life with the all-consuming mania of drug use. Upon getting sober, he began working on Flora Ocean Tiger Bloom, in 2019, but had to abort mission partway through once COVID lockdowns took effect in early 2020. (While waiting out the pandemic at home, Ubovich and drummer Dylan Fujioka dusted off some scrappy old demos and punched them up for 2021’s stopgap mini-LP, 333.) And once it was safe to properly resume work on Flora Ocean Tiger Bloom, Ubovich lost his home and nearly his life: the house he had been living in for eight years was condemned, but not before its contaminated environs spurred a debilitating case of pneumonia that left Ubovich hospitalized for a month, to the point where his recovery involved relearning how to walk and play his instruments. So if anyone’s earned the right to check out from reality and indulge in the transcendental properties of psychedelic rock, it’s this dude. But despite all the chaos and upheaval Ubovich has endured, Flora Ocean Tiger Bloom is a testament to his clarity of vision. regularly consults the Spacemen 3 playbook for both its fuzz-drone riffs and ambient orchestrations—there’s even an instrumental interlude unsubtly titled “(Return of) Ecstasy”—but applies them to more classically styled ’60s psych-pop tunes; songs like “Billow” mirror the tambourine-rattled stoner sway of the Brian Jonestown Massacre, but rock much harder. And while Ubovich shares a mischievous melodic sensibility with his old pal Segall, Meatbodies project more of an anthemic bravado that transforms their niche record-collector concerns into mass-appealing, festival-ready rock music: “The Assignment” imagines how Oasis’ Be Here Now might’ve turned out if the Gallaghers spent more time doing acid than coke, while “Hole” is part DIY “Cherub Rock” grungegaze groover, part Laser Floyd synth spectacle. While “Silly Cybin” appears as a playful, acoustic-based singalong that matches the spirit of its punny title, there are bad-trip horrors and suicidal ideation cataloged within. But if that song establishes a stark contrast between bliss and psychosis, the cryptically titled “ICNNVR2” completely blurs it: “I carve the crosses right into my arms, in the purple drunken dawn,” Ubovich declares, before he rides straight into an incoming brass-blasted storm, much like another stoner-punk who once tried to assure us he was feelin’ alright in the midst of a raging saxocalypse that suggested otherwise. “Move,” is all the more captivating for its refusal to sugarcoat its bitter sentiments. Cut from the same blood-splattered cloth as Suicide’s “Frankie Teardrop” or The Gun Club’s “For the Love of Ivy,” the song’s menacing motorik throb and sinister aura are intensified by Ubovich’s spiteful address to a former confidant (“I can count the reasons/ the reasons we don’t talk”), en route to an extended, echo-drenched descent into madness and furious finale. So in summary, the prevailing mood seems to be one of trippy psychedelic experimentation and escapism, balanced with heavier themes of struggle, self-discovery and emotional rebirth.
Ozean - “Ozean”
Have you ever wondered what genre of music the album "Ozean" by Ozean falls into? This ethereal masterpiece belongs to the genres of Dream Pop and Shoegaze. Delving deeper into the music, the album showcases a unique blend of rock and pop with indie pop and shoegaze undertones. It's no surprise that Ozean draws inspiration from iconic shoegaze acts like Ride, Slowdive, Lush, and My Bloody Valentine, contributing to their distinct dreamy sound.
Looking back at the captivating history of Ozean's music career, we discover a dream pop/shoegaze band hailing from the San Francisco Bay Area in the early 1990s. With band members including Eric Shea and Lisa Baer, Ozean left a lasting impression with their Cocteau Twins-esque dreaminess and overall shoegaze sound. Despite only playing one live show, the band's focus on recording music in member Mike Prosenko's bedroom paved the way for their unique sound to resonate through the years. In a heartwarming turn of events, Ozean resurfaced in 2017 with a previously lost 3-song EP, leading to a vinyl reissue in 2024 dedicated to the memory of the band members. While Ozean's discography may not include a full album titled "Ozean," their rediscovered shoegaze recordings continue to captivate modern audiences, showcasing the band's enduring legacy.
Delving into the meanings behind Ozean's evocative lyrics, tracks like "Fall" and "Scenic" offer profound insights into longing, separation, and the human experience. "Fall" paints a poignant picture of yearning and emotional distance, with lyrics that speak of dreams, wishes, and the desire to reconnect with a distant presence. Meanwhile, "Scenic" delves into themes of melancholy and loss, capturing the pain of farewells and the search for solace amidst solitude. Exploring the minds behind Ozean, interviews with Eric Shea and Lisa Baer shed light on their musical influences, recording process, and the band's preference for studio work over live performances. From guitar musings in garages to the allure of four-tracking in bedrooms, Ozean's intimate approach to music creation resonates through their atmospheric shoegaze sound. Embark on a musical journey with Ozean's ethereal tunes, where dream pop meets shoegaze in a harmonious blend of nostalgia, emotion, and sonic beauty.
Neptuna - "Mar Rojo & Orbitando"
Unveiling the Cosmic Tapestry: Neptuna's "Mar Rojo & Orbitando"
Imagine yourself standing on the edge of a vast, starlit desert, the night sky above a deep canvas of twinkling lights, and the air filled with an otherworldly energy. As you breathe in, the sounds of the universe begin to unfold around you – a symphony of cosmic whispers, ancient rhythms, and ethereal melodies. This is the world that Neptuna invites you into with their latest double album, "Mar Rojo & Orbitando".
The Journey Begins: Neptuna's Background
Neptuna, hailing from Guadalajara, Mexico, has been weaving a unique sonic tapestry since their inception. With a discography that includes singles like "Ikite Iru", "Venus", "13", and "Descontrol", the band has established itself as a force to be reckoned with in the psychedelic and neo-psych scenes. Their music is a blend of space rock, lounge pop, and an unmistakable Mexican flair, creating a sound that is both timeless and contemporary.
The Double Album Concept: "Mar Rojo & Orbitando"
"Mar Rojo & Orbitando" is more than just an album; it's an immersive experience divided into two distinct yet harmoniously intertwined parts. The first half, "Mar Rojo", is a journey through the terrestrial realm, with tracks like "Ulúa", "Las Margaritas", and "Cactácea" that evoke the arid landscapes and mystical energies of the desert. Each song is a vignette, painted with vibrant colors and textures that transport you to a world where the boundaries between reality and fantasy blur.
The second half, "Orbitando", takes you on a celestial voyage. Tracks such as "Dance of Fire", "Perdidas en el Tiempo", "Cuarzo", and "Vorágine" are like cosmic odysseys, filled with swirling synths, hypnotic drum patterns, and guitars that seem to sing with an extraterrestrial voice. Here, Neptuna delves deep into the realm of space rock, creating an atmosphere that is both expansive and intimate.
A Symphony of Styles and Influences
Neptuna's music is a rich tapestry woven from diverse influences. You can hear the echoes of Pink Floyd's psychedelic explorations, the sophistication of lounge pop, and the raw energy of Mexican rock. However, it's not just about paying homage; it's about creating something entirely new and unique. The band's use of field recordings and experimental techniques adds a layer of depth and authenticity to their sound, making each track feel like a lived experience rather than just a song.
Critical Reception and Impact
"Mar Rojo & Orbitando" has been met with critical acclaim, with many praising the band's innovative approach and the album's cohesive yet diverse nature. Critics have noted the album's ability to transport listeners to another world, a testament to Neptuna's skill in crafting immersive music. Fans have also been enthusiastic, praising the album for its complexity and the way it resonates on both a personal and universal level.
Conclusion
As you stand on that desert edge, surrounded by the cosmic sounds of "Mar Rojo & Orbitando", you realize that Neptuna has created something truly special. This album is not just a collection of songs; it's a journey through time and space, a tapestry of sound that envelops you in its beauty and complexity. If you're ready to embark on an otherworldly adventure, to let the music transport you to places both familiar and unknown, then "Mar Rojo & Orbitando" is the perfect companion. So, take a deep breath, close your eyes, and let Neptuna guide you through the stars.
Post-Rock/Experimental Rock
Church Chords - “Elvis, He Was Schlager”
So when this album dropped into my Bandcamp feed I had no idea what it was but was intrigued by the title. Schlagar is a German word that describes Light-Hearted and simple pop music of the 1960s and 70s, for example Tom Jones. So yes, there's certainly an argument that late period Elvis is schlagar.
Anyway, onto the album itself. It features an impressive cast of musicians from America's Experimental Rock underground (Jeff Parker, John Hermdon, Eric Slick) brought together by drummer, producer and composer Stephen Bueno . However, the sound of the album takes both Jazz and European influences such as the motorik rhythms of Krautrock and Electronic music of the 1970s and 90s. As a consequence the album is Groove heavy and features a number of excellent dissonant guitar solos from the likes of Nels Cline (Wilco). There's also an air of Mystery that pervades the album largely through the use of delay and reverb but also through the tone and languages used by the rotating cast of vocalists (Kristen Slipp, zzzahara etc).
Maybe the album's most impressive feat is that it was recorded over a period of eight years and with such a diverse and disparate cast of musicians all collaborating and contributing. This really could have been a case of too many cooks spoiling the broth. However, Stephen Bueno manages to hold everything together while allowing the musicians to express themselves fully and realize his Vision completely!!! What started as a failed recording session blossomed into a potential Album Of The Year contender, check it out now!!!
Ibelisse Guardia Ferragutti and Frank Rosaly - “Mestizx”
A Transcendent Celebration of Mestizx Identities
The debut album "MESTIZX" by Ibelisse Guardia and Frank Rosaly is a revelatory tour de force. This deeply personal work is a poetic meditation on decolonization, ancestral roots, and embracing mixed cultural identities.
Ferragutti and Rosaly, partners in life & art based in Amsterdam, have created a musical universe defying rigid genres. At its core are traditional Latin rhythms & folk instrumentation of their Bolivian, Brazilian & Puerto Rican ancestries.
But from these familiar foundations, they construct something utterly startling & new - seamlessly weaving free jazz, avant-garde, electronica, ambient, folk, punk & more into an eclectic tapestry. Rosaly's propulsive drumming meets Ferragutti's multilingual vocals.
On the anthemic "Descend", Ferragutti's defiant lyrics issue a call for renewal by dismantling colonial mindsets, envisioning "reshaped identities". The haunting "Invocaçao" invokes ancestral spirits through spiritual interplay of marimba & piano.
Despite weighty themes, "MESTIZX" finds lifeline in communal, celebratory music inducing movement & trance. The propulsive "Turbulência" draws from Afro-samba rhythms, while "Destejer" features piercing cornet leads & Spanish refrains about "unweaving homogeneity".
By blending the familiar with the startlingly new, Ferragutti & Rosaly create a profound statement on the mestizx experience - the nuanced "in-betweenness" they occupy as individuals of mixed indigenous & colonial ancestry.
The album's title, a non-gendered version of the Spanish colonial slur for "mixed person", reclaims & embraces the transcendent liminality at its heart. This is defiantly anti-colonial music subverting rigid boundaries & identities.
In giving voice to deeply personal narratives, they've crafted a musically daring work challenging us to envision reshaped possibilities for cultural synthesis. "MESTIZX" is a revelatory celebration of mixed ancestries.
At its core are the traditional Latin rhythms rooted in their ancestries, providing a grounding base. Yet these are seamlessly blended with avant-garde & improvisational jazz elements, creating startling fusions gradually escalating in intensity.
Ferragutti's multilingual vocals in Spanish, Portuguese & others articulate the nuanced experience of navigating mixed identities transcending rigid boundaries. Her poetic lyrics give profound voice to themes of decolonization & ancestry.
The instrumentation is equally diverse - marimba, piano, cornet, flute, percussion - reflecting the cultural synthesis. By blending familiar Latin rhythms with fresh fusions of jazz, avant-garde, folk, electronic & punk, "MESTIZX" creates a unique sonic landscape.
Through this interweaving of influences & instrumentation, Ferragutti & Rosaly have crafted a musically & thematically resonant statement deeply rooted in their personal stories as individuals of mixed indigenous & colonial ancestry.
"MESTIZX" sonically mirrors their ethos of cultural synthesis & their exploration of liminal mestizx identities. The blending produces a vibrant, defiant celebration of transcendent "in-betweenness".
In giving profound voice to their narratives, Ferragutti & Rosaly challenge us to reimagine possibilities beyond imposed limitations. "MESTIZX" is a revelatory work embracing the radical act of existing in an identity that transcends all boundaries. Check it out now!!!
Emperor's New Clothes - “Surreal Estate”
After nearly 3 decades trapped in purgatory, the ambitious & eclectic "Surreal Estate" by experimental rockers Emperor's New Clothes has finally seen the light of day. The story behind its creation & long-overdue release is a fascinating one.
The seeds were planted in '96 amidst a lineup shakeup that reinvigorated the band's creative spark. Contrasting styles - from Luke Hannam's "intense groove & dark post-punk" to Andy Knight's "free jazz & avant-garde" - fused into an inspired vision of blending disparate genres.
Enter producer Trevor Jackson, whose hip-hop/sampling aesthetics & obsession for eclectic sounds (avant-garde, dub, no wave & more) provided the ideal ingredients for the band's kaleidoscopic ambitions. His influence was pivotal in realizing their bold sonic alchemy.
Jackson deftly fused organic & electronic elements, integrating Knight's "subsonic samples" with live instrumentation into a "gloriously twisted mix." But he did more - fostering an improvisational studio environment where raw creative energy could shine.
His open-minded approach allowed contrasting styles to organically coalesce into "inspiring new combinations." And his adept manipulation of sounds - chopping, pitch-shifting, time-stretching - provided the final alchemical touches in crafting an immersive sonic landscape.
The result is a dizzying, genre-blurring kaleidoscope where improv energy meets studio craft. One moment you're in ambient atmospheres, the next a whirlwind of fractured beats, pulled back into a groove underpinned by Knight's jazz melodies. A constantly shape-shifting experience.
While its belated release is bittersweet, "Surreal Estate" transcends constraints. It's adventurous, forward-thinking music finally receiving its deserved moment. For sonic explorers, this long-lost labor of love is a revelatory experience that still sounds radically fresh. Check it out now!!!
Party Dozen - “Crime In Australia”
Party Dozen, the innovative duo from Sydney, Australia, has been captivating audiences since 2017 with their unique blend of noise rock, jazz, and experimental sounds. Comprised of saxophonist Kirsty Tickle and percussionist Jonathan Boulet, the band has built a reputation for their incendiary live performances and genre-defying music. Their debut album, "The Living Man" (2017), introduced their improvisational style, earning critical acclaim and setting the stage for their ascent in the music world.
Their second album, "Pray For Party Dozen" (2020), solidified their position as sonic adventurers, featuring collaborations with artists like Mogwai and Peaking Lights. This release showcased their ability to blend free-improv, doom, jazz, and no wave into a cohesive sound. "The Real Work" (2022) further expanded their sonic palette, integrating structured compositions with their signature chaotic energy.
Their latest album, "Crime In Australia" (2024), marks a thematic and sonic evolution. The album explores societal issues, focusing on crime, corruption, and the dichotomy of order and disorder. It reflects on global capitalism and the erasure of communities, using a narrative reminiscent of a vintage cop series soundtrack.
Musically, "Crime In Australia" is a bold step forward. The production, handled entirely by the band, allows for an experimental and avant-garde sound that retains their distinctive mood. Standout tracks include "Coup De Gronk," which opens the album with an abrasive, improvisational flair, and "Wake In Might," a track that evokes the tension of a retro cop chase scene. "Bad News Department" is noted for its catchy hook and accessibility, while "Piss on Earth" delivers a gritty, blues-infused experience.
Overall, "Crime In Australia" is a cohesive collection of critical satire, showcasing Party Dozen's growth and their ability to channel societal observations into a compelling sonic experience. Their sound has matured, embracing both structured compositions and chaotic improvisations, making this album a standout in their discography. The band continues to push boundaries, creating music that is both challenging and rewarding for listeners.
Electronic Music
Ana Lua Caiano - “Vou Ficar Neste Quadrado”
Ana Lua Caiano combines traditional Portuguese music from the countries ‘70s revolutionary period, traditional group singing with musique concrète and the influence of Electronic Music innovators Bjork and Laurie Anderson.
On first impression, the music feels overly stuffed with rhythmic and electronic ideas. However, there's clearly something about this music which reveals itself when you return to it. Ana Lua Caiano herself reveals that it always starts with a vocal melody and this becomes clear with each new listen. It’s these interweaving vocal melodies that keep you coming back. The fact that they can withstand and outshine the barrage of percussion and experimental electronics sounds is impressive!!! Because of this this music reminds me of classic Missy Elliott another artist known for their strong melodic writing and experimental sonic approach.
It is hard to do justice to Ana Lua Caiano with words. This is because it is visceral as well as complex music. You can sit and analyze it but you'd be hard-pushed to dance to it and sing along to it. It would be the weirdest thing you will dance to this year but you will dance to it!!!
Ana Lua Caiano is one of those parallel pop-stars, someone who you wish to be successful though you hope will never change. This is just the beginning but she's already demonstrating a range of musical skills that suggests world-beating potential!!! We await what will come next with bated breath. Check it out now!!!
Afrobeat/Afro Funk
Oluko Imo - “The Glory of Om”
Born in 1951 in Laventile in Trinidad & Tobaco Oluko Imo was always destined to become a great activist and artist. Born into a musical family he played in The Blue Vails from a young age. Meanwhil there was political anrest in Trinidad & Tobaco including a violent police crackdown on peaceful antiracist protests. This would ignite Imo’s interest into the black power revolution and his west africa heritage. This would eventually him meeting afrobeat innovator and political activist Fela Kuti in New York in 1979. Kuti recruited him bassist in his new band Egypt 80 this collaboration lasted in the 1990’s and deepend Imo’s connection to his west-african roots and instoked the fire of his political activism.
This culminated with Glory of Om in 1995 which was written in Lagos Nigeria and recorded back in New York. It brings together afrobeat rhythms with vocal ! melodies and deliveries that are unmistakably Caribbean ! across the album Imo calls for unity and positivity and discusses the injustice across the post-colonial world.
Overlooked at the time Glory of Om shows of Trinidad’s rich musical history and showcases the musical relations of West Africa and the Caribbean. This first time re-issue highlights the importance of this music, let’s hope it gets more recognition moving forward. Check it out now!!!
Various Artists - “Togo Soul 2”
Togo Soul 2 follows up French label Hot Casa original 2016 compilation and continues to shine a light on the lesser known names of West African music. While the use of the word soul could be a bit misleading, this is certainly soulful music. The influence of traditional Togolese music and that of other West African nations like Ghana and Nigeria is strong throughout the compilation. There is no doubt that many will find a lot to love here and will be left with a smile on their face!!! Check it out now!!!
Alt. R&B
High Llamas “Hey Panda”
Sean O’ Hagan’s High Llamas returned after 13 years of musical wilderness,with an album which was inspired by a TikTok Panda. While “Hey Panda” bears the hallmarks of a classic High Llamas album but there are also some new influences and elements. These influences include a heavy dose of Alt. R&B including Solange and Dirty Projectors, the Hip-Hop swing of J Dilla and a sprinkling of Glitchy Electronics.
While the High Llamas were known for a lush and atmospheric sound these new elements bring yet more depth and detail. It’s incredible that after over 30 years O’Hagan manages to find both new depth and new musical directions. Check it out now!!!
Toshiki Soejima & edbl - “Carefree EP”
Discover the "Carefree EP": A Sonic Journey with Toshiki Soejima & edbl
Have you ever stumbled upon music that feels like a gentle breeze on a warm day, instantly lifting your spirits and transporting you to a place of tranquility? The "Carefree EP" by Toshiki Soejima and edbl is precisely that kind of musical experience. Released on November 27, 2024, under the innovative Stereofox Records, this EP is a testament to the power of collaboration and creativity in music.
Tracklist Overview
The "Carefree EP" comprises five tracks, each offering a unique auditory experience:
- Cove: This track opens the EP with a soothing blend of mellow beats and soft melodies. It's like stepping into a serene coastal landscape at sunset, where every note mirrors the gentle lapping of waves.
- Nightshade (ft. Nahokimama): Featuring the ethereal vocals of Nahokimama, this track weaves a tapestry of sound that feels both mysterious and comforting. The interplay between the vocals and instrumental layers creates an atmosphere reminiscent of twilight walks through lush gardens.
- At The Fairground (ft. Nahokimama): Another collaboration with Nahokimama, this track captures the whimsical essence of a fairground. The playful rhythms and vibrant melodies evoke images of colorful lights and joyful laughter, making it an auditory celebration.
- Miami Vice: This track channels the retro vibes of the 1980s with its upbeat tempo and nostalgic synths. It's an energetic homage to classic sounds, perfect for those who love a touch of nostalgia in their music.
- Daisy Chain: Closing the EP is "Daisy Chain," a gentle and reflective piece that feels like a peaceful stroll through a sunlit meadow. The delicate instrumentation invites introspection and calmness.
Musical Style and Influences
The "Carefree EP" is rooted in chillhop and electronic genres, yet it transcends traditional boundaries with its innovative soundscapes. Toshiki Soejima's expertise in crafting atmospheric beats blends seamlessly with edbl's knack for soulful melodies. Their combined influences range from jazz to ambient electronica, creating a rich tapestry of sound that invites listeners to explore new emotional landscapes.
Collaboration Highlights
The collaboration between Toshiki Soejima and edbl is a highlight in itself. Both artists bring their unique strengths to the table, resulting in an EP that feels cohesive yet diverse. Nahokimama’s contributions add another layer of depth, her voice acting as both an instrument and storyteller within the tracks she graces.
Reception and Impact
Since its release, the "Carefree EP" has been met with enthusiasm from fans and critics alike. Its ability to evoke emotion while maintaining an air of lightness makes it stand out in today’s music scene. The EP's soothing qualities provide an ideal soundtrack for relaxation or creative endeavors, making it a versatile addition to any playlist.
Conclusion
In a world that often feels chaotic and overwhelming, the "Carefree EP" offers a much-needed escape into serenity and joy. It's an auditory journey worth taking—one that promises to leave you feeling refreshed and inspired. So why should you listen to this album? Because it captures the essence of carefree moments we all crave, wrapped in beautiful melodies that linger long after the music stops. Dive into this sonic adventure and let Toshiki Soejima and edbl guide you to your own personal oasis of sound.
Contemporary Classical/Experimental Music
Jeremiah Cymerman - “Body of Light”
Jeremiah Cymerman is a sonic alchemist, pushing boundaries of what music can be for 2 decades. Emerging from NYC's improvised scene, his unconventional clarinet approach defied convention.
Collaborations with pioneers like John Zorn, Toby Driver & Mario Diaz de Leon shaped Cymerman's avant-garde sensibilities, blending acoustic & electronic elements into immersive, genre-transcending soundscapes.
But with 'Body of Light,' Cymerman ascends to new realms. From the opening 'Of the Body Subtle,' his clarinet takes on an otherworldly quality, weaving intricate sonic tapestries that emanate from higher planes.
The title & tracks like 'Knot of Breath' evoke spirituality & the human experience, reflecting Cymerman's exploration of esoteric concepts. But 'Body of Light' is a visceral, all-encompassing experience demanding your full attention.
As it unfolds, Cymerman's clarinet dances & contorts, soaring celestially then plunging into the unknown. Layers of synths, electronics & percussion create an ever-shifting, rich tapestry of sound.
What sets it apart is Cymerman's ability to imbue even abstract sonic explorations with emotional resonance. A palpable yearning for something beyond the physical permeates every breath.
In lesser hands, such lofty concepts could seem pretentious. But Cymerman's mastery elevates 'Body of Light' to the truly transcendent - a triumph of the boundless human spirit to create & explore.
For those willing to surrender, this album is a revelation - a mind-expanding odyssey through sound & spirit that will leave you forever changed. Cymerman has crafted a masterpiece. Check it out now!!!
Indie Rock/Indie Pop
Daga Voladora - “Los manantiales”
Let's talk about the brilliant new album 'Los manantiales' by Spanish indie maverick Daga Voladora!!! A must-listen for Indie music fan!!!
This vibrant, genre-blending masterpiece seamlessly fuses melodic Indie Rock with rich Latin #bolero flourishes. It pays homage to inspirations like Stereolab & Cate Le Bon while carving out a distinctive niche.
One of the album's biggest strengths is Daga Voladora's deft, whimsical lyricism weaving literary flourishes & cinematic flair reminiscent of Labien Querida's melodrama. The Belle & Sebastian-esque "Diamante" is an infectious standout!
Yet for all its depth, 'Los manantiales' is an utterly infectious listen with "venomous yet irresistible" melodies, deadpan vocals, insistent beats & slightly noisy edges adding unconventional edge. It pulls you in!!!
What's most remarkable is this deeply personal vision was crafted in near solitude by multi-talented Daga Voladora herself!!! From insecurities of new love to truest romance, it's an odyssey into her innermost emotional landscapes.
In an era of blurred genres, 'Los manantiales' shines as a beacon of creativity & innovation. It'll captivate indie music fans with its fresh sound while appealing broadly with its melodies & relatable heart. An enchanting, inspiring listen!!!
Don't sleep on this one! Immerse yourself in the vibrant, whimsical world of Daga Voladora's 'Los manantiales' - a listening experience that'll leave you enchanted & eager to explore her impressive artistery. Check it out now!!!
Birdie - "Some Dusty"
The Serendipitous Birth of Birdie
In 1992, a chance encounter on Saint Etienne's live tour set the stage for one of indie pop's most cherished hidden gems. Debsey Wykes, formerly of Dolly Mixture, and Paul Kelly, ex-East Village, found themselves sharing not just a stage, but a profound love for the sunshine pop and soft rock of the '60s and '70s. This musical kinship quickly blossomed into a friendship and, eventually, a romantic partnership.
Wykes and Kelly spent countless hours dreaming up their ideal band, a vessel for their shared musical vision. In 1994, Birdie took flight, named perhaps for the lightness and freedom their music would embody. The duo's first offering, the "Spiral Staircase" 7" single, landed in 1997 on the legendary Summershine label, setting the stage for what was to come.
Crafting "Some Dusty"
The summer of 1998 saw Birdie nestled in the studio with producer Brian O'Shaughnessy, known for his work with indie darlings like Denim, Moose, and The Clientele. Over those sun-drenched days, "Some Dusty" took shape – a album that would become a testament to the power of understated sophistication in pop music.
Each of the ten tracks on "Some Dusty" is a carefully constructed gem. Wykes' sweet, soulful vocals float effortlessly over arrangements that blend classic British pop sensibilities with touches of chamber pop and French ye-ye influences. The attention to detail is evident in every corner of the album, from the shimmering chimes of "Port Sunlight" to the delicate interplay of acoustic guitar, trumpet, and keyboards on "Let Her Go."
A masterstroke came with the addition of Sean O'Hagan from The High Llamas, who contributed string arrangements to select tracks. These orchestral elements added depth and richness to Birdie's already lush sound, elevating songs like "Dusty Morning" with its nod to Bacharach's "Walk On By" brass sound.
The Sound of "Some Dusty"
"Some Dusty" is a masterclass in the art of the perfect pop moment. Each song unfolds like a delicate flower, revealing new layers with every listen. "Laugh" opens the album with a gentle swagger, setting the tone for what's to come. "Let Her Go" is a standout, its intricate arrangement showcasing the band's ability to create complex soundscapes that never feel overwrought.
The album's sound is characterized by its warmth and intimacy. Wykes' vocals are front and center, her delivery both sweet and knowing. The instrumentation is rich but never overpowering, with acoustic guitars, gentle percussion, and well-placed brass and string accents creating a tapestry of sound that feels both timeless and distinctly of its era.
Tracks like "One Two Five" demonstrate Birdie's knack for subtle hooks, with its gentle wah guitar underpinning a melody that lingers long after the song ends. "Blue Dress" is another highlight, its dreamy atmosphere perfectly capturing the wistful nostalgia that permeates much of the album.
Legacy and Reissue
Upon its release in 1999, "Some Dusty" didn't make massive waves in the mainstream. However, among discerning pop fans and critics, it quickly gained a reputation as a hidden classic. The album's influence can be heard in the work of numerous indie pop acts that followed, its blend of classic songcraft and modern sensibilities setting a high bar for sophisticated pop music.
Birdie followed "Some Dusty" with a string of well-received singles and a second album, "Triple Echo," in 2001. However, family commitments and other projects led to the band becoming only sporadically active in the years that followed. This relative scarcity only added to the mystique surrounding "Some Dusty," with original copies becoming highly sought after by collectors.
The 2024 reissue by Slumberland Records is a cause for celebration among long-time fans and an opportunity for a new generation to discover this understated masterpiece. Available on both classic black vinyl and a limited edition mint green pressing, the reissue comes in a deluxe '60s-style laminated heavy card jacket with an insert featuring rare photos and liner notes by Chickfactor's Gail O'Hara.
As "Some Dusty" finds its way to new ears, its timeless quality becomes ever more apparent. In a world of disposable pop, Birdie's debut stands as a testament to the enduring power of carefully crafted, emotionally resonant music. It's a reminder that sometimes the quietest voices have the most to say, and that true classics never go out of style.
North African/Middle Eastern/Asian music
Charif Megarbane - "Habibi Funk Limited 002: Hamra / Red Habibi Funk Limited 002: Hamra / Red"
Charif Megarbane's "Habibi Funk Limited 002: Hamra / Red": A Sonic Tapestry from a Musical Polymath
In the vast landscape of world music, few artists can match the sheer productivity and creative range of Charif Megarbane. With an astounding catalog of over 100 albums and EPs under various monikers, Megarbane stands as a true musical polymath. His latest offering, "Habibi Funk Limited 002: Hamra / Red," released under the Habibi Funk Records label, is yet another testament to his boundless creativity and genre-defying approach.
This album, one of the countless gems in Megarbane's extensive discography, showcases his remarkable ability to blend traditional Arabic rhythms with modern electronic beats. It's a vibrant fusion that has become his signature across his prolific body of work, which spans from classic soul to funked-up afrobeats and vintage Italian movie scores.
Megarbane's incredible output - releasing about 10-20% of what he produces - is a result of his unique, spontaneous approach to music-making. He often creates "microwave albums" over a weekend, capturing original ideas rapidly before they get "corrupted" by overthinking. This method has allowed him to build a vast musical universe, with "Habibi Funk Limited 002: Hamra / Red" being just one of its many fascinating planets.
From the opening track "Pesce Rosso" to the closing "Stop Sign," Megarbane takes listeners on a sonic journey that defies easy categorization, much like his entire career. Each of the 14 tracks offers a unique flavor, showcasing why Megarbane has become one of the most intriguing and prolific figures in contemporary world music.
A Journey Through Sound
The album unfolds like a vibrant musical odyssey. Standout tracks like the energetic "Corrida" and the culturally rich "Tarboush" showcase Megarbane's ability to create music that is both innovative and deeply rooted in tradition. The diversity of sounds within the album reflects Megarbane's eclectic influences and his knack for seamlessly blending disparate elements.
The Magic of Fusion
What makes this album truly special is Megarbane's masterful blending of diverse influences. His self-taught approach to music-making shines through in the spontaneity and freshness of each track. The album reflects his experiences living in Beirut, Nairobi, and Lisbon, resulting in a sound that is truly global yet distinctly personal.
A Feast for the Ears
Megarbane's production style adds depth and texture to the album. His use of diverse instrumentation, from traditional Middle Eastern instruments to modern synthesizers, creates rich, layered soundscapes. Tracks like "Pomegranate" and "Turnip" showcase this complexity, offering listeners new discoveries with each listen.
More Than Just Music
"Habibi Funk Limited 002: Hamra / Red" is more than just an album; it's a cultural experience. It challenges listeners to expand their musical horizons and appreciate the beauty that emerges when different traditions come together. In a world that often feels divided, Charif Megarbane's music serves as a reminder of the unifying power of art.
This album is a must-listen for anyone interested in world music, electronic beats, or simply in search of something fresh and exciting. It's a testament to Megarbane's ability to consistently produce high-quality, innovative music across his vast catalog.
Whether you're a long-time fan of Megarbane's work or new to his unique sound, "Habibi Funk Limited 002: Hamra / Red" offers something for everyone. It's an album that not only entertains but also educates, opening ears and minds to the possibilities of cross-cultural musical exploration.
In the end, this album stands as yet another shining example of why Charif Megarbane is considered one of the most prolific and innovative artists in contemporary world music. It's a celebration of cultural fusion, musical experimentation, and the joy of unbridled creativity.
Electric Taal Band - "S/T”
Exploring "S/T" by Electric Taal Band: A Sonic Journey
In the ever-evolving world of music, the Electric Taal Band's album "S/T" stands out as a testament to creativity and innovation. Released on September 13, 2024, this album offers a fresh take on Indian classical music, infused with electronic and dub elements, and serves as a reminder of the boundless possibilities that arise when tradition meets modernity.
Background of the Band and Album
The Electric Taal Band emerged as a creative project during the COVID-19 lockdowns, a time when many artists found themselves exploring new avenues and experimenting with sounds. The band was born out of a deep appreciation for Punjabi records and a desire to learn traditional instruments like the tumbi. This journey of musical exploration and discovery is evident in every track on the album.
Musical Style and Innovation
"S/T" is a captivating blend of Indian classical music, electronic beats, and dub influences. Indian classical music, known for its intricate ragas and talas, provides a rich tapestry of sounds that the band weaves into their compositions. The use of traditional instruments like the tumbi and electronic Tanpura adds authenticity and depth to the music, while the Radel Talometer introduces rhythmic complexity.
The album also draws heavily from the dub genre, characterized by its use of reverb, echo, and emphasis on bass and rhythm. This influence is evident in the album's layered soundscapes and hypnotic beats, creating a unique fusion that is both innovative and respectful of its roots. The electronic elements seamlessly blend with these traditional and dub influences, offering listeners an auditory experience that is both familiar and refreshingly new.
Track Highlights
The album features a diverse array of tracks, each with its distinct flavor. "Billy Bombay" and "Capt. Molo" are standout pieces that showcase the band's ability to craft intricate soundscapes, combining traditional Indian melodies with electronic and dub elements. "Keher Taal Dub" highlights the band's expertise in blending rhythmic complexity with electronic beats, creating a track that is both mesmerizing and danceable. Each track invites the listener to embark on a journey through sound, offering new insights with every listen.
Collaborative Intent and Future Prospects
Initially, the band faced challenges in collaborating with South Asian musicians and vocalists in Toronto due to pandemic restrictions. However, their intention to engage with these artists remains strong, promising exciting future projects. This collaborative spirit is a testament to the band's commitment to enriching their music with diverse influences and perspectives.
Conclusion
"S/T" by Electric Taal Band is more than just an album; it's an exploration of sound and culture. It captures the essence of innovation while honoring traditional roots, making it a significant addition to the contemporary music landscape. I encourage you to dive into this album and experience the unique blend of sounds that the Electric Taal Band has masterfully crafted. Whether you're a fan of Indian classical music, electronic beats, or dub rhythms, "S/T" offers something for everyone, inviting you to discover the magic that happens when worlds collide.
El Khat - "Mute"
Exploring "Mute" by El Khat: A Sonic Journey of Heritage and Innovation
Introduction
Imagine a world where the past and present collide, where the haunting echoes of traditional Yemeni melodies intertwine with the pulsating rhythms of modern music. This is the world of El Khat's "Mute," an album that transcends borders and time, inviting listeners on a captivating journey through sound and emotion. With its rich tapestry of cultural influences and innovative musical style, "Mute" is not just an album—it's an experience that challenges perceptions and stirs the soul. Join us as we delve into the story behind El Khat, the thematic depth of "Mute," and the unique soundscape that defines this extraordinary work of art.
Background on El Khat
El Khat is a band deeply rooted in the Yemeni diaspora, led by Eyal el Wahab, a talented musician and instrument maker. The band's name is inspired by the plant "khat," known for its cultural significance in Yemen. El Khat's music is a fusion of traditional Yemeni melodies with modern elements, creating a sound that is both nostalgic and forward-thinking. The band members, now based in Berlin, bring diverse influences and a shared passion for preserving and reinventing their cultural heritage through music.
Concept and Themes
The album "Mute" is a profound exploration of silence and its various connotations, particularly in the context of emigration. It captures the emotional journey of leaving one's homeland, reflecting the bittersweet feelings of nostalgia and hope. The album's title, "Mute," symbolizes the silence that often accompanies displacement and the unspoken emotions tied to the experience of migration. Through their music, El Khat invites listeners to contemplate these themes and connect with the universal human experience of seeking belonging.
Musical Style and Composition
El Khat's musical style is a mesmerizing fusion of traditional Yemeni sounds with contemporary genres like dub and post-punk. The band is known for its use of homemade instruments crafted from recycled materials, adding a raw, organic quality to their sound. The album incorporates electronic frequencies and filters, creating an innovative soundscape that is both vibrant and immersive. This blend of old and new, traditional and modern, results in a unique auditory experience that is both familiar and refreshingly original.
Track Highlights
"Mute" features a collection of tracks that showcase El Khat's diverse musical influences and thematic depth. Standout tracks like "La WaLa" and "Zafa" exemplify the band's ability to blend lively, traditional Yemeni melodies with modern rhythms and textures. These tracks evoke the sounds of Yemeni wedding bands and the bustling energy of the Arab diaspora, creating a sense of journey and celebration. The album also draws inspiration from musical traditions in Egypt, Anatolia, Arabia, and Ethiopia, further enriching its cultural tapestry.
Cultural and Emotional Impact
El Khat's "Mute" is more than just an album; it is a cultural statement and a reflection of the Arab diaspora experience. The band's innovative approach to music-making, combined with their deep connection to their heritage, results in a powerful and emotive listening experience. Through their music, El Khat captures the complexities of identity, belonging, and the human desire for connection. The album resonates with listeners on a personal level, inviting them to reflect on their own experiences of migration and cultural heritage.
Conclusion
In "Mute," El Khat has crafted an album that is both a celebration of Yemeni culture and a commentary on the universal experience of migration. The band's ability to blend traditional sounds with modern influences creates a dynamic and engaging listening experience that is both thought-provoking and emotionally resonant. "Mute" stands as a testament to El Khat's innovative spirit and their ability to bridge the past and present through music. Whether you are a fan of world music or simply curious about new sounds, "Mute" is an album that deserves your attention and appreciation.
Al-Qasar - “Uncovered”
Exploring Al-Qasar's "Uncovered" - A Multicultural Musical Odyssey
Have you ever wondered what it would sound like if Depeche Mode met traditional Turkish music, or if Sean Paul's rhythms were infused with Arabic melodies? Al-Qasar's latest album, "Uncovered," offers an exhilarating answer to these questions, blending Western pop with Arab folk in a way that defies conventional musical boundaries. Released on November 27, 2024, this album is not just a collection of songs; it's a vibrant tapestry of cultures and sounds that invites listeners on a global journey.
Musical Origins and Inspiration
The story of "Uncovered" begins in the culturally rich neighborhood of Barbès, where Thomas Attar Bellier, the mastermind behind Al-Qasar, drew inspiration from his multicultural surroundings. Rejecting traditional rock formulas, Bellier embarked on a quest to create something uniquely his own—a sound he calls "Arabian Fuzz." This genre blends psychedelic rock with North African trance, creating an auditory experience that is both familiar and refreshingly new.
Album Concept and Global Musical Fusion
"Uncovered" is a testament to the power of music as a universal language. The album's retro-futurist Arab psychedelia was crafted in studios across five cities: Tunis, Lisbon, Los Angeles, London, and Paris. This geographical diversity is mirrored in the music itself, which seamlessly integrates elements from different cultures into a cohesive whole.
Unique Cover Interpretations
One of the most intriguing aspects of "Uncovered" is its unique cover interpretations. Imagine hearing Depeche Mode's iconic sound transformed by Turkish vocals or Sean Paul's energetic beats reimagined with Arabic lyrics. These covers are not mere translations; they are reinventions that breathe new life into familiar tracks. Collaborations with legendary artists like Hamza El Din and Wadih El Safi add depth and authenticity to these reinterpretations.
Artistic Philosophy and Cultural Representation
Al-Qasar's artistic philosophy centers on breaking down genre and geographic boundaries. By promoting cultural understanding through music, the band represents diverse musical identities and challenges listeners to rethink their preconceived notions about music genres. This commitment to cultural representation is evident throughout the album.
Collaborative Dynamics and International Influence
The collaborative nature of "Uncovered" is one of its greatest strengths. The band itself comprises musicians from nine different nationalities, each bringing their unique influences to the table. This cross-continental dialogue enriches the album's soundscape, making it a true reflection of global musical fusion.
Thematic Exploration and Artistic Significance
Beyond its musical innovation, "Uncovered" delves into themes of political undertones and social commentary. The album tells stories that resonate with listeners worldwide, challenging musical stereotypes while offering a fresh perspective on contemporary issues.
Technical Musical Innovation
Technically, "Uncovered" is a marvel. The album features unique instrumentation and rhythmic complexity that captivate the listener's attention. Its experimental sound design pushes the boundaries of what music can be, creating an immersive experience that is both intellectually stimulating and emotionally engaging.
Production Details
The production quality of "Uncovered" is impeccable. Thomas Attar Bellier's studio wizardry shines through in every track, while Grammy winner Matt Hyde's mixing and Grammy nominee Frank Merritt's mastering ensure that each note is perfectly polished.
Conclusion
In a world where music often falls into predictable patterns, Al-Qasar's "Uncovered" stands out as a beacon of creativity and cultural dialogue. This album not only answers the curiosity sparked at the beginning but also leaves listeners with a profound appreciation for the beauty of musical fusion. By weaving together diverse sounds and stories, Al-Qasar has created an album that transcends borders and invites us all to listen with open ears and open hearts. If you're looking for an auditory adventure that challenges conventions while celebrating diversity, "Uncovered" is an essential addition to your playlist.
The Paradise Bangkok Molam International Band - "Araya Lam”
In the heart of Bangkok, where the traditional and modern collide, a musical experiment was born that would captivate audiences worldwide. How did a group of musicians from diverse backgrounds come together to redefine Thai folk music for the 21st century? The answer lies in the journey of The Paradise Bangkok Molam International Band and their latest album, "Araya Lam," which pushes the boundaries of molam music further than ever before.
Background of the Band
The story begins in the mid-2000s when DJ Maft Sai (Nattapon Siangsukon) and Chris Menist discovered crates of old molam and luk thung records in Bangkok's Chinatown. Intrigued by these traditional sounds, they began hosting Paradise Bangkok club nights in 2009, where they blended these genres with psychedelic rock and Afrobeat grooves. This fusion laid the foundation for The Paradise Bangkok Molam International Band.
The band officially formed when Maft Sai and Menist sought to create a live experience that mirrored their DJ sets. They recruited seasoned musicians like Sawai Kaewsombat on khaen, Kammao Perdtanon on phin, Piyanat "Pump" Chotisathien on bass, and Phusana "Arm" Treeburut on drums. Each member brought unique influences, creating a sound that was both rooted in tradition and refreshingly modern.
Their debut album, "21st Century Molam," released in 2014, introduced their innovative sound to the world. It was followed by "Planet Lam" in 2016, which further explored the fusion of traditional Thai instruments with global music influences. These albums set the stage for their latest release, "Araya Lam."
Album Overview
"Araya Lam" marks a new chapter in the band's evolution. While their previous works laid the groundwork for blending molam with modern genres, this album dives deeper into experimental territory. The tracks feature intricate phin melodies and khaen harmonies layered over electronic beats and dub influences, creating a soundscape that is both familiar and new.
Key Tracks Analysis
"Zud Rang Ma" is a standout track that encapsulates the band's ability to innovate while honoring their roots. The energetic phin riffs and driving rhythms evoke the bustling streets of Bangkok, offering listeners a vibrant auditory experience.
"Bangkok Traffic Drama" captures the chaotic essence of city life with its frenetic pace and dynamic instrumentation. This track highlights the band's skill in creating music that mirrors real-life experiences through sound.
Impact and Reception
"Araya Lam" has been praised for its bold approach to traditional music. Critics have lauded the album for its ability to transcend cultural boundaries and bring molam to a global audience. The band's commitment to preserving and evolving Thai folk music has inspired listeners worldwide, solidifying their place as pioneers of genre-bending music.
Conclusion
As "Araya Lam" continues to captivate audiences, it stands as a testament to The Paradise Bangkok Molam International Band's innovative spirit. Their journey from grassroots beginnings to international acclaim is a powerful reminder of music's ability to unite people across cultures. With each album, they push the boundaries of what molam can be, ensuring that this rich musical tradition remains vibrant and relevant for future generations. Whether you're a longtime fan or new to their sound, "Araya Lam" promises an unforgettable musical experience that celebrates both heritage and innovation.
Various Artists - “Ayo Ke Disco: Boogie, Pop & Funk from the South China Sea (1974-88)”
Exploring "Ayo Ke Disco: Boogie, Pop & Funk from the South China Sea (1974-88)"
Imagine stepping into a vibrant disco in Southeast Asia during the 1970s and 80s, where the air is thick with the sounds of boogie, pop, and funk. This is the world that "Ayo Ke Disco: Boogie, Pop & Funk from the South China Sea (1974-88)" invites you to explore. But what makes this compilation so special? Let's dive into this musical journey and uncover why this album is a must-listen.
Background of the Compilation
Released by Soundway Records, "Ayo Ke Disco" is a carefully curated collection of tracks that capture the essence of Southeast Asia's music scene during a transformative era. Alice Whittington, also known as DJ Norsicaa, has embraced her Malaysian heritage to bring these rare gems to light. The album spans music from Indonesia, Singapore, Thailand, Malaysia, Hong Kong, and the Philippines, reflecting a period of cultural renaissance and experimentation.
Musical Genres Featured
Disco and Funk: The album features infectious disco-funk rhythms that were the heartbeat of dance floors across the region. These tracks are characterized by their groovy basslines and energetic beats.
Psychedelic Funk: This genre adds a layer of complexity with its experimental sounds and psychedelic influences, offering a unique listening experience.
City Pop: Known for its polished production and catchy melodies, city pop captures the urban vibe of Southeast Asia's bustling cities.
Hindustani-Arabic Influences: These tracks showcase a fusion of traditional sounds with modern rhythms, highlighting the region's diverse cultural tapestry.
Notable Tracks and Artists
The album opens with "Dahaga" by Fatimah Razak, a track that blends orchestral disco-funk with sultry vocals and Hindustani instruments. Black Brothers' "Mangge Mangge" stands out with its fusion of rock, reggae, and local styles like kroncong[3]. Each track is a testament to the artists' creativity and resilience during an era marked by social and political change.
Cultural Impact and Legacy
"Ayo Ke Disco" not only celebrates music but also serves as a historical document of Southeast Asia's evolving identities. The compilation reflects how music became a form of resistance and expression in countries emerging from colonial rule or repressive regimes. It highlights how traditional cultures were revitalized while embracing global influences.
Listening Experience
Listening to "Ayo Ke Disco" is like taking a sonic journey through time. The album's vibrant energy makes it perfect for both nostalgic evenings and lively gatherings. To fully appreciate its depth, immerse yourself in each track's story and let the music transport you to another era.
Conclusion
So why should you listen to "Ayo Ke Disco"? Beyond its infectious grooves and captivating melodies, this compilation offers a window into a pivotal moment in Southeast Asian history. It's an invitation to explore a rich musical heritage that continues to inspire artists today. As you hit play, remember that you're not just listening to music—you're experiencing a cultural revolution that still resonates decades later.
Yoshiko Sai - "Mangekyou"
Discovering the Timeless Charm of Yoshiko Sai's "Mangekyou"
Imagine stumbling upon a hidden gem in a dusty record store, an album that has been tucked away for decades, waiting to be rediscovered. For many music enthusiasts, Yoshiko Sai's 1975 album "Mangekyou" (萬花鏡), or "Kaleidoscope," is just that – a treasure that has recently resurfaced, offering a captivating blend of funk, folk, and traditional Japanese music. As you delve into the world of "Mangekyou," you'll find yourself entranced by its unique sound and the enigmatic artist behind it.
The Artist - Yoshiko Sai
Yoshiko Sai, born in Nara, Japan in 1953, is an artist shrouded in mystery. Her journey into music was not a conventional one. While studying law in Kyoto, Sai faced health issues that led to a period of hospitalization. It was during this time that she began to explore her musical talents, eventually deciding to pursue a career in music. Despite her relatively short time in the spotlight, Sai left an indelible mark on Japanese music.
The Album - "Mangekyou"
"Mangekyou" is more than just an album; it's an experience. Produced by the legendary Yuji Ohno, known for his work with the anime series "Lupin III," this 1975 release is a masterclass in blending genres. The title "Mangekyou" translates to "Kaleidoscope," a fitting name given the album's diverse and colorful soundscapes. From the opening notes of "Yoru No Sei," you're transported to a world where funk and folk seamlessly intertwine, creating a unique sonic tapestry.
Production and Personnel
The production of "Mangekyou" is a testament to the collaborative genius of its creators. Yuji Ohno's arrangements are nothing short of magical, with lush keyboards and breezy instrumentation that perfectly complement Sai's ethereal vocals. The album features a talented ensemble of musicians, including Takahiko Ishikawa on acoustic guitar, Tsunehide Matsuki on both acoustic and electric guitar, and Akira Okazawa on electric bass. The percussion, handled by Larry Sunaga and Kiyoshi Tanaka, adds a dynamic layer to the music, while the strings and traditional Japanese instruments like the shakuhachi and biwa provide an authentic cultural depth.
Tracklist and Musical Highlights
The album's 10 tracks are a journey through various moods and landscapes. "Fuyu No Chikadou" is an upbeat track with a funky bassline and infectious rhythms, while "Tsubaki Wa Ochita Kaya" is a poignant ballad that showcases Sai's vocal range and emotional delivery. "Eidore Shibai" features a mesmerizing blend of traditional and modern elements, with the shakuhachi flute weaving in and out of the melody. Each track is a vignette, painting a picture of a bygone era yet feeling remarkably contemporary.
Impact and Legacy
"Mangekyou" has garnered a cult following over the years, with original copies becoming highly sought after by collectors. The album's influence extends beyond Japan, resonating with listeners who appreciate its unique fusion of styles. Despite its limited initial release, "Mangekyou" has left an indelible mark on the music world, inspiring new generations of musicians and fans alike.
The Reissue
Thanks to Wewantsounds, "Mangekyou" has been reissued for the first time internationally, making it accessible to a broader audience. The reissue features remastered audio from the original tapes, ensuring that the sound is as crisp and vibrant as it was in 1975. The original artwork has been preserved, and an 8-page CD booklet with new liner notes by Paul Bowler provides valuable context and insights into the album's creation.
Conclusion
As you close the cover on "Mangekyou," you're left with a sense of wonder and appreciation for this hidden gem. The curiosity that drew you to this album is more than satisfied; it's transformed into a deep admiration for Yoshiko Sai's artistry and the timeless charm of her music. "Mangekyou" is not just an album; it's a kaleidoscope of sounds, emotions, and experiences waiting to be explored. If you're ready to discover a piece of musical history that feels as fresh today as it did decades ago, then "Mangekyou" is an absolute must-listen. Dive into its world, and you'll find yourself enchanted by the beauty and complexity of Yoshiko Sai's masterpiece.
Soundtracks/Library Music
Rowan Oliver - “Quickbeam”
Exploring Rowan Oliver's Debut Album "Quickbeam" - A Sonic Journey Through Genres
Imagine stumbling upon a hidden garden, where each path you take leads to a new and vibrant world, filled with an array of colors, textures, and scents that evoke a deep sense of wonder and curiosity. This is what listening to Rowan Oliver's debut album "Quickbeam" feels like – a journey through a kaleidoscope of sounds that will leave you enchanted and eager for more.
Rowan Oliver, a name that might be familiar to fans of Goldfrapp, where he spent seven years as the band's drummer, has finally unveiled his solo project. With a career spanning collaborations with Plaid, Mara Carlyle, Paul Oakenfold, and even Marilyn Manson, Oliver's musical palette is as diverse as it is rich. His notable remix of Goldfrapp’s ‘Strict Machine’ reaching 1 in the US Billboard Dance chart is just a glimpse into his creative prowess. Now, with "Quickbeam," he steps into the spotlight as a solo artist, and the result is nothing short of magical.
The Concept and Development of "Quickbeam"
"Quickbeam" is not just an album; it's a culmination of years of musical exploration and experimentation. Oliver's vision was to create an album that would celebrate the concept of groove in all its forms, weaving together a tapestry of sounds that are both familiar and innovative. The development process was organic, with tracks evolving over several years, each one a reflection of Oliver's eclectic tastes and influences.
Musical Style and Influences
The album is a sonic patchwork that defies easy categorization. From the opening notes of "Burning Boat," you're transported to a world where acoustic folk textures blend seamlessly with dubby electronics and soaring string sections reminiscent of David Axelrod and Charles Stepney. The swampy funk of "Road Of Dreams" is akin to The Meters, while the Nuyorican horn arrangements in "Like The Rain" evoke the vibrant spirit of Latin jazz. Global percussion and groove-driven beats tie everything together, creating a cohesive yet dynamic sound.
Each track is a masterclass in layering and texture. "People (Not Statues)" features a laid-back groove with intricate percussion and a soulful horn section, while "Lodestone" delves into deeper, more introspective territory with its haunting melodies and atmospheric electronics. The album's diversity is its strength, making it a journey that keeps you engaged and curious.
Tracklist and Highlights
The tracklist is a testament to Oliver's versatility:
- A1. Burning Boat
- A2. Road Of Dreams
- A3. Like The Rain
- A4. People (Not Statues)
- A5. Lodestone
- A6. Keep It Running
- B1. Wheeling
- B2. Peace Go With You
- B3. Onwards & Upwards
- B4. The Walls Of Alamut
- B5. Moth Nor Rust
- B6. Impermanence
Standout tracks include "Road of Dreams," with its jaunty, beefed-up music-making, solid bass figures, and punctuating horns that make you want to move. "Peace Go With You" echoes Gil Scott Heron’s vintage style, heavy with soul and brass punctuations that evoke a sense of nostalgia and longing. "Moth Nor Rust" is a clever composition, with nips and tucks that remind one of Sven Wunder's meticulous craftsmanship.
Reception and Reviews
The reception of "Quickbeam" has been nothing short of glowing. Will Gregory of Goldfrapp and the Will Gregory Moog Ensemble praises Oliver's ability to craft music that is both cinematic and deeply personal. Robert Gallagher, known for his work with Galliano, Earl Zinger, and Two Banks Of Four, highlights the album's emotional depth and sonic innovation.
Cal Gibson of The Secret Soul Society aptly describes the album as "cinematic music-making, soundtracks and sunsets, emotionally charged beats." This sentiment resonates deeply, as each track feels like a mini-film score, painting vivid pictures in the listener's mind.
Conclusion
Returning to that hidden garden, "Quickbeam" is the soundtrack to your exploration – each path leading to new discoveries, each sound a new color in the palette of your imagination. Rowan Oliver's debut album is more than just a collection of tracks; it's an experience that will leave you curious, enchanted, and eager to return.
Why should you listen to "Quickbeam"? Because it's an album that defies boundaries, an album that will take you on a journey through genres and emotions, and an album that will leave you with a deep appreciation for the art of music-making. In a world where music often gets pigeonholed, "Quickbeam" is a refreshing reminder of the beauty of diversity and creativity. So, step into this sonic garden, and let Rowan Oliver guide you through a world of sound that will captivate and inspire you.
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Delton Screechie - “Suffering in the Ghetto”
“Suffering in the Ghetto” by Delton Screechie: A Reggae Gem
Introduction
Have you ever stumbled upon an album that feels like a hidden treasure, waiting to be discovered? "Suffering in the Ghetto" by Delton Screechie is one such gem. Released in 1982, this album encapsulates the raw, unfiltered essence of reggae music, offering listeners a profound journey through the struggles and hopes of life in the ghetto. But what makes this album stand out in the vast sea of reggae records? Let's dive into its depths to uncover its enduring allure.
Background
Delton Screechie's journey to creating "Suffering in the Ghetto" is a story of passion and perseverance. Emerging from Jamaica's vibrant reggae scene, Screechie began his career with collaborations, notably with Kojak on Ed"Screechie And Kojak," showcasing his vocal prowess. His earlier work laid the foundation for his solo endeavors, culminating in "Living In The Ghetto Showcase," which featured tracks that would later appear on his seminal album.
By the time he recorded "Suffering in the Ghetto," Screechie had honed his craft, drawing inspiration from the socio-economic challenges faced by many Jamaicans. The album was recorded at Harry J's studio and mixed at King Tubby's, two iconic locations known for their contributions to reggae and dub music This setting allowed Screechie to infuse his music with authenticity and depth, supported by producers like Scientist, who added a distinctive dub flavor to the tracks.
Album Analysis
Musical Style and Themes
"Suffering in the Ghetto" is steeped in classic reggae rhythms, characterized by its steady basslines and syncopated drum patterns. The album's themes revolve around resilience, love, and social injustice. Delton Screechie's voice carries a soulful intensity that brings these themes to life, making each track a compelling narrative of struggle and hope.
Production Details
The album's production is a testament to the era's innovative spirit. Recorded at Harry J's and King Tubby's studios, it benefits from the expertise of legendary producers like Scientist. Known for his pioneering work in dub music, Scientist adds a layer of depth to the album with his signature echo effects and reverb, creating an immersive listening experience that enhances Screechie's heartfelt delivery.
Track Highlights
Among the standout tracks is the title song "Suffering In The Ghetto," which paints a vivid picture of life’s hardships with its haunting melody and evocative lyrics. "Let Love In" offers a contrasting message of hope and unity, driven by its uplifting rhythm and harmonious vocals. Meanwhile, "Heart Breaker" showcases Screechie's versatility, blending emotional storytelling with infectious beats.
Legacy and Impact
Though not as commercially celebrated as some other reggae albums from the era, "Suffering in the Ghetto" has left an indelible mark on those who have discovered it. Its reissues on vinyl speak to its lasting appeal and influence within the reggae community. The album's authentic portrayal of life's challenges continues to resonate with listeners. Delton Screechie's heartfelt narratives and Scientist's masterful production create an album that is both a historical artifact and a living testament to the power of reggae music. So why should you listen to this album? Because it offers more than just melodies; it provides a window into the soul of reggae—a genre that continues to inspire and uplift across generations.
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